The Champney house was one of those houses that cannot do otherwise than contain four rooms to the floor, each square, high-ceilinged, and furnished more with an eye to the squareness and high ceilings than to the people who might come to live in it, not so angled and elevated. Hennion was not impressionable, but it seemed to him dimly that Camilla ought to sit on a different kind of chair. The house was heavy with the spirit of another generation, as if effectual life in it had stopped short years before. The furniture in the parlour had an air of conscious worth; the curtains hung reminiscently; Webster, Clay, and Quincy Adams occupied gilded frames and showed star-smitten foreheads. Through the open door across the hall Hennion could see the big white head of Henry Champney in the lamplight, and knew where Miss Eunice sat primly with her knitting and gold-rimmed glasses. The rush of the day's work was still ringing in his mind, the sense of the flexibleness of men and events, the absence of all form among them, or attitude, or repose. The Champney house with its inmates, except Camilla, seemed to have petrified at its point of greatest dignity. Camilla said: “You haven't heard a word I've been saying, and it's important!” Camilla was the second generation to possess the gift of feeling the importance of the immediate occasion. Fair maids are common enough, and yet most of them are extraordinary. But Camilla had the shining eyes, and lift of thick dark hair away from the forehead, that to elderly people recalled Henry Champney of long ago. She had the same intensity and readiness of belief. The manner in which that man of distinction would wrap small issues in the flag of the Republic, and identify a notion of his own with a principle of the Constitution, used to astonish even the constituency which voted him a giant. She seemed to Hennion not less apart from the street than Henry Champney, Miss Eunice, and their antiquities. She belonged to a set of associations that should not be mixed up with the street. In the street, in the clear light and grey dust, men and ideas were shaped to their uses. But Camilla's presence was to him a kind of vestal college. At least, it was the only presence that ever suggested to his mind things of that nature, symbols and sacred fires, and half-seen visions through drifting smoke. He was contented now to wait for the revelation. “Have you lots of influence really?” she said. “Isn't it fine! I want you to see Mr. Aidee. He's coming here to-night.” The revelation was unpleasant. He felt his latent dislike for Aidee grow suddenly direct. When it came to introducing the incongruities of the dusty street and blatant platform to the place where his few silent ideals lay glimmering; bringing Camilla to march in the procession where chants were played on fife and drum, and the Beatitudes painted on the transparencies, so to speak--it was unpleasant. “I'd rather not see him here.” “But he's coming!”