Lüshun (China) -- History -- Siege, 1904-1905; Russo-Japanese War, 1904-1905
This the Japanese are to assault before noon. There is no timber,
only a few bushes and rock the size of a bull’s head, hard things
to wade through, but no defense. They must cross the open plain,
500 yards, in full range of those one hundred and ten cannon,
smash the barbed wire, climb the terraced plateaus where they will
be picked off like rabbits in a shooting gallery, assault the
trenches and finally take the heights. To take one trench seems
heroic achievement, four an impossibility. Impossible but for
one thing--orders. The navy was ordered at the outset of the war
“to exterminate” the Russian fleet, this Second Army went out to
“take Port Arthur.” And they obey orders--these Japanese. So why
contemplate that to attempt that Hill of Nanshan is folly, to take
it madness?
The Russians wait. All is silence--the awed hush preceding carnage,
terror, death. Waiting they sing, not light tunes heard so bright
and gay on the heights of Tokyo to-day; chansons of France,
Italy’s peerless compositions, America’s solemn new-born hymn or
Japan’s flute note weird and penetrating. From deep bass throats
and barytones majestic rolls organ music of fierce, wild grandeur,
as through some vast forest aisle the harmonies of winds and
woods and waves unite in mighty pæans, celebrating to the august
fastnesses glories yet fresh to man. Schools, traditions, customs
civilized have not touched the fiber of that central gauntness,
shining up through the spirit of the singers, like dreamland on a
tragedian’s afterglow. Siberia with all its wildness, with all its
immensity, where aback the mammoth wallowed; the Caucasus tossing
aloft primeval ecstasy the long slant of the steppes, and Russia,
bold, defiant, revengeful; all rolled in one, are in that note.
The clothes of the men are heavy, ungainly, ill-made, nothing
serviceable but the boots, which are well adapted for running away.
The faces--sodden with ignorance and vice--reflect only stolid
endurance; no initiative, no individuality. Only through the song
shines the soul.
The singing ceases. There is a dreadful hush. It is eleven
o’clock. Off toward Kinchow, which is hid by a fringe of low
fir trees, something is moving. Soon hunchbacked dabs can be
seen bobbing across the furze, leaping over the stones, pausing,
searching, then onward dashing. The firing begins. Two machine
guns--only ten of the one hundred and ten are quick-firers--lead
off. You can easily tell them. The sound is little, like the
popping of a dozen beer bottles in quick succession. Then silence.
The strip of cartridges is torn aside, another inserted, again a
dozen pops. So it goes until the ten are brought into action and
there is no intermission. Flicks of dust are kicked up by the
shells, most falling short, a few passing on through the trees. One
of the bobbing dabs falls, the rest press on. Now the gunners are
getting the range; the shells pick off more hunchbacks.
Public-domain text, read in full here on John Shaqi.
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