THEY are all standing in the porch, saying "How d'ye do" to half a dozen
of their neighbors, and being introduced to the dark young man in the
Fens pew. He is a very handsome young man, and very light-hearted
apparently, and looks very frequently at Miss Blount, who smiles at him
very graciously, and tells him he must "really come up to luncheon at
the Court, or Uncle Christopher will be _so_ disappointed. _Any_ friend
of Roger's"--and so on.
"Portia," says Sir Christopher, suddenly--when Stephen Gower has
expressed his extreme pleasure at the thought of lunching at the Court,
always with his dark eyes fixed curiously upon Dulce--"Come with me; I
want to show you your poor mother's last resting-place."
"Ah! yes; I shall like to see that," says Portia, tenderly, though the
dead mother is only a bare memory to her. "Yes, take me to see it."
They separate from the others, and go around an angle of the old church,
and past an ivied corner, and so come to the quiet spot where stands the
vault of the Blounts.
"It was too far to send her to the Vibarts' burying-place," says Sir
Christopher; "at least we tried to think so, because we tried to keep
her with _us_. And your father was dead. And at the very last, she
murmured something about being laid beside her mother; poor, dear girl!"
To Sir Christopher, Portia's mother has always been a girl, and a poor
soul. I think, perhaps, Portia's father had been "_breezy_" in the way
of temper.
Then Portia asks many questions, trivial in themselves, yet of mighty
interest to these two, to whom the dead had been dear. And the questions
and answers occupy some time, insomuch that when at length they return
to the church porch, they find the others have all disappeared, and the
sexton preparing to lock the church door.
"Where have all my people gone to?" asks Sir Christopher of this
functionary, in an elevated tone, the functionary being, as he himself
would describe it, "hard of hearing." Whereupon they are informed that
the "Court folk" went "away home through yon small iron gate," and into
the woods beyond, and are now presumably sauntering lazily homeward
beneath the shade of the spreading oaks and elms.
"Then we cannot do better than follow their example," says Sir
Christopher, but almost before they come to the iron gate they see
Fabian, who, unmindful of their presence, nay, rather, utterly unaware
of it, is walking steadily, but slowly, onward, as though lost in
thought.
Presently, hearing footsteps behind him, he turns, and seeing Portia,
starts perceptibly, and comes to a standstill.
Public-domain text, read in full here on John Shaqi.
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