Engleheart's work has a certain resemblance to that of Reynolds, and the devotion which Engleheart felt towards the President of the Academy had an evidently strong effect upon his own art. He copied Sir Joshua's works over and over again, and gradually a good deal of the influence of the great master permeated the work of his follower. His miniatures were nobler, broader, and far better set upon the oval of the ivory than were those of many of his contemporaries, his draughtsmanship was excellent, and there was a brilliance about his painting of the eyes which is particularly attractive. The large portrait of _Earl Beauchamp_ (Plate XX.), from the collection of Lady Maria Ponsonby, is a fine specimen of his best work; but those of _Mrs. Sainthill_ and _Mr. Brundish_, from the collection of Lord Hothfield (Plate XXII.), are good examples of his smaller miniatures, possessing a great deal of charm and delightful in colour. His portrait of _Miss Mary Berry_, from Mr. Pierpont Morgan's collection (Plate XXI.), is quite one of his finest portraits of women. He painted both these sisters, and for a long time the two portraits were in one case, facing one another, but they have now been separated, and lie side by side in the cabinet. The two ladies were well known as being the close friends of Horace Walpole, who treated them with the greatest tenderness and affection, addressed to them many of his most brilliant letters, and persuaded them to settle down near him at Strawberry Hill. To them he dedicated his catalogue of treasures, and bequeathed a considerable sum of money, and his works and letters were, after his death, edited by Mary Berry, one of the sisters, who lived down till 1852, and died at the advanced age of ninety. From the same collection we have selected two delightful works by Smart, those representing _Sir Charles Oakeley_ and a lady whose name is unknown (Plate XVIII.), both distinguished by the elaboration of flesh tints, so quietly and so accurately applied.