In his room once more with his friend Strang and the Rembrandt Donkey to
take him home he sat on his bed holding his hands between his knees.
He was positively afraid of going down to dinner. Afraid of what? Afraid
of being drawn in. Drawn into what? That was precisely what he did not
know, but something that ever since his first glimpse of Maradick at the
Reform Club had been preparing. It was that he saw, as he sat there
thinking of it, that he feared--this Something that was piling up
outside him and with which he had nothing to do at all.
Why should he mind because he had heard a girl say that she was
frightened and wanted to go home? And yet he did mind--minded terribly
and with increasing violence from every moment that passed. The thought
of that child without a friend and on the very edge of an experience
that might indeed be fatal for her, the thought of it was more than he
could endure.
He was clever at escaping things did they only give him a moment's
pause, but in this case the longer he thought about it the harder it was
to escape from. It was as though the girl had made her personal appeal
to himself.
But what an old scamp her father must be, Harkness thought, to give her
up like this to a man for whom she has no love, who doesn't love her.
Why did she do it? And what kind of a man is the father-in-law of whom
she is so afraid and who dominates his son so absolutely? In any case I
must go down to dinner. I must just take what comes. . .
Yes, but his prudence whispered, don't meddle in this affair actively.
It isn't the kind of thing in which you are likely to distinguish
yourself.
"No, by Jove, it isn't."
"Well, then, be careful."
"I mean to be." Then suddenly the girl's voice came sharp and clear.
"Damn it, I'll do anything I can," he cried aloud, jumped from the bed
and went downstairs.
XIV
As he went downstairs he felt a tremendous sense of liberation. It was
as though he had, after many hesitations and fears, passed through the
first room successfully and closed the door behind him. Now there was
the second room to be confronted.
What he immediately confronted was the garden of the hotel. The sun was
slowly setting in the west, and great amber clouds, spreading out in
swathes of colour, ate up the blue.
The amber flung out arms as though it would embrace the whole world. The
deep blue ebbed from the sea, was pale crystal, then from length to
length a vast bronze shield. The amber receded as though it had done its
work, and myriads of little flecks of gold ran up into the pale
blue-white, thousands of scattered fragments like coins flung in some
God-like largesse.
The bronze sea was held rigid as though it were truly of metal. The town
caught the gold and all the windows flashed. In the fresh evening light
the grass of the lawn seemed to shine with a fresh iridescence--the
farther hills were coldly dark.
Public-domain text, read in full here on John Shaqi.
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