The creeping finger upon his knee had the same sudden warning of
imminent physical peril. The swiftly moving car, the silence, these
things seemed to bear in upon him the urgency of the other--that it was
no longer any game that he was playing but something of the deadliest
earnest. Once again the soft hand closed upon his thigh, then the finger
once more like a creeping animal felt its way. His body was responsive
from head to foot. He was all tingling with apprehension. His hand
resting firmly on his other knee began to tremble. Why was he in this
affair at all? If Crispin were mad, as Dunbar declared, what was to stop
him from taking any revenge he pleased on those who interfered with him?
The tale was no longer one of pleasant romantic colour, the rescuing of
a distressed damsel from an enchanted castle, but rather something quite
real and definite, as real as the car in which they were sitting or the
clothes that they were wearing. He, suddenly feeling that he could
endure it no longer--in another moment he would have cried out
aloud--jerked his knee upwards. The hand vanished, and at the same
moment Crispin's voice said: "We are almost there. We are going through
the gates now."
Lamps flashed upon their faces and Crispin's eyes seemed to have
vanished into his fat white face. He had, in that sudden illumination,
the most curious effect of blindness. His lids were closed over his
eyes, lying like little pieces of pale yellow parchment under the faint
red eyelashes.
"Here we are!" he cried. "Out you get, Herrick." And as Harkness stepped
out of the car something deep within him whispered: "I am going to be
hurt. Pain is coming----"
Before him swung a cavern of light. It swung because on his stepping
from the car he was dizzy, dizzy with a kind of poignant thick scent in
the soul's nostrils, deep deep down as though he were at the edge of
being spiritually anæsthetised. He paused for a moment looking back
into the night piled up behind him.
Then he walked in.
X
It was an old house. The long hall was panelled and hung with the heads
of animals. A torn banner of faded red and yellow with long tassels of
gold hung above the stone fireplace. The floor was of stone, and some
dim rugs of uncertain colour lay like splashes of damp here and there.
The first thing of which he was aware was that a strong cold draught
blew through the hall. It seemed to come from a wide oak staircase on
his right. There were no portraits on the panelled walls. The house gave
a deep sense of emptiness. Two Japanese servants, short, slim, immobile,
their hair gleaming black, their faces impassive, waited. The outer door
closed. The banner fluttered, the only movement in the house.
"Come in here, Mr. Harkness," Crispin said. "It is more comfortable."
Public-domain text, read in full here on John Shaqi.
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