His little figure moved forward. Harkness followed him, but he had had one moment with the girl as he entered the hall. The two Crispins had been for an instant back by the car. He had said, his lips scarcely moving: "I gave him the message. He is coming," and she had answered without turning her head or looking at him: "Thank you." Only as he walked after Crispin he wondered whether the Japanese could have understood. No. He was sure that no one could have heard those words, but he turned before leaving the hall, and he had a strange impression of the bare, empty, faded place, the staircase running darkly up into mystery, and the four figures, the two servants, Hesther and the younger Crispin, at that moment immobile, waiting as though they were listening--and for what? The room into which Crispin led him was even shabbier than the hall. It was a large ugly place with dim cherry-coloured paper, and a great glass candelabrum suspended from the ceiling. The walls had, it seemed, once been covered with pictures of all shapes and sizes, because the wall-paper showed everywhere pale yellow squares and ovals and lozenges of colour where the frames had been. The wall-paper had indeed leprosy, and although there were still some pictures--a large Landseer, an engraving of a Millais, a shabby oil painting of a green and windy sea--it was these strange sea-sick evidences of a vanished hand that invaded the air. There was very little furniture in the place, two shabby armchairs, a round shining table, a green sofa. The draught that had swept the hall crept here, now come now gone, stealing on hands and feet from corner to corner. "You see," said Crispin, standing beside the empty fireplace, "I am here but little. I have pulled down the pictures from the walls and then left it all shabby. I enjoy the contrast." At the far end of the room were long oak cupboards. Crispin went to them and pulled back the heavy doors, and instantly in the shabby place there were blazing such treasures as Harkness had never set eyes on before.