"Ah! it was one of his favourites. He must have been in great distress.
This only confirms what I said to you just now about disturbing him. I
beg you to go--now, at once, immediately--and never, never return. It is
so bad for my father to be disturbed. He has so excitable a temperament.
Please, please leave at once----"
"But my match-box," said Harkness.
"Give me your London address. I promise you that it shall be forwarded
to you." He held the candle high and swept the room with it, the sudden
shadows playing on the walls, like a troop of dancing scarecrows. "You
don't see it anywhere?"
Harkness looked about him, then up at the face of the chattering clock.
Time enough had elapsed. She was safe away by now.
"Very well, then," he said. "I will give you my address. Here is my
card."
Young Crispin, who seemed in great agitation and, under this emotion, a
new and different human being from anything that Harkness had believed
to be possible, took the card, and with the candle moved into the hall.
He turned the key, opened the door, and the night air rushed in blowing
the flame.
"I wish you good-night," he said, holding out his hand.
Harkness touched it--it was cold and hard--bowed, said: "I must
apologise again for disturbing you. I would only reassure you that it is
for the last time."
Both bowed. The door closed, and Harkness was once again in the garden.
III
Jabez was waiting for him. They were both in the shadow; beyond them the
lawn was scattered with star-dust mist as though sewn with immortal
daisies; the stars above were veiled. The world was so still that it
seemed to march forward with the rhythm of the sea, that could be heard
stamping now like a whole army of marching men.
"They are waiting for you, sir," Jabez whispered. "I was terrible feared
you'd be too long in there."
They moved, keeping to the shadows, and reached the path that led to the
door in the wall. Here their feet crunched on the gravel, and every step
was an agony of anticipated alarm. It seemed to Harkness that the house
sprang into life, that lights jumped in the windows, figures passed to
and fro, but he dared not look back, and then Jabez's hand was on the
door, he was through and out safely in the wide free road.
Then, for an instant, he did look back, and there the house was, dark,
motionless, rising out of the trees like part of the rock on which it
was built, the high tower climbing pale in the mist above it.
Only an instant's glimpse, because there was the jingle, the pony,
Dunbar and the girl. An absurd emotion took possession of him at the
sight of them. He had been through a good deal that evening, and the
picture of them, safe, honest, sane, after the house and the company
that he had left, came with the breeze from the sea reassuring him of
normality and youth.
Public-domain text, read in full here on John Shaqi.
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