Jabez, too, standing over them like a protective deity. His whole heart
warmed to the man, and he vowed that in the morning he would do
something for him that would give him security for the rest of his days.
There was something in the patient, statuesque simplicity of that giant
figure that he was never afterwards to forget.
But he had little time to think of anything. He had climbed into the
jingle, and without a word exchanged between any of them they were off,
turning at once away from the road to the right over a turfy path that
led to the Downs.
Dunbar, who had the reins, spoke at last.
"My God," he said, "I thought you were never coming."
"I had a queer time," Harkness answered, whispering because he was still
under the obsession of his escape from the house. "You must remember
that I'm not accustomed to such adventures. I've never had such an odd
two hours before, and I shouldn't think that I'm ever likely to have
such another again."
They all clustered together as though to assure one another of their
happiness at their escape. The strong tang now of the sea in their
faces, the freshness of the wide open sky, the spring of the turf
beneath the jingle's wheels, all spoke to them of their freedom. They
were so happy that, had they dared, they would have sung aloud.
But Harkness now was conscious only of one thing, that Hesther Crispin,
a black shawl over her head, only the outline of her figure to be seen
against the blue night, was pressed close to him. Her hand touched his
knee, the strands of her hair, escaping the shawl, blew close to his
face, he could feel the beating of her heart. An ecstasy seized him at
the sense of her closeness. Whatever was to come of that night, at least
this he had--his perfect hour. The elder Crispin and his madness, the
younger and his strangeness, the dim faded house, the jewels and the
torn "Orvieto," the mad talk, all these vanished into unreality, and,
curiously, this ride was joined directly to the dance around the town as
though no other events had intervened.
Then he had won his freedom, this sanctified it. Then he had felt his
common humanity with all life, now he knew his own passionate share of
it.
He wanted nothing for himself but this, that, like Browning's strong
peasant, he might serve his duchess, at the last receiving his white
rose and watching her vanish into her own magical kingdom. A romantic,
idealistic American, as has been already declared in this history; but
ten hours ago both romance and idealism were theoretic, now they were
pulsing, living things.
"Hesther's the one for my money," Dunbar said, some of his happiness at
their safety ringing through his voice. "You should have seen her climb
out of that window. She landed on the roof of that tool-house so lightly
that not a mouse could have heard her. And then she swung down the pipe
like a monkey. Tell me how you managed with friend Crispin."
Public-domain text, read in full here on John Shaqi.
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