Literature, Modern -- 19th century -- History and criticism
Bertrand was not, any more than Leigh Hunt, a great and noble
personality. Like Leigh Hunt, he could write something quite charming
that owed at least part of its charm to its neglect of something else.
His was a poetical temperament rather than the temperament of a poet.
He felt things and saw things, but never dominated them, so that all
he could save in his difficult existence was a wonderful handful of
dreams. He dreamt by day and by night, and caught a few of his dreams
with their bright colours in two or three skilful paragraphs. In a
cottage on the edge of a forest he read chronicles of monks and knights
while the snow froze on the ground, or else, in such a study as
Faustus might have used, pored upon Raymond Lully. He was surrounded in
his dreams by ancient books, and looking far beyond and through their
phantom leather backs, saw a black gondola in the Venetian night, or a
Messire Blasius with double chin and worldly-wise eye, like a portrait
by Van Eyck. He saw the old Paris of Hugo’s reconstruction, and the old
Dijon that he rebuilt himself. Before his eyes the witches departed to
keep their Sabbath with Satan. An Undine of German fairy story offered
him her love, but, rich with dreams, he preferred to watch the changes
of the moon.
This is perhaps one of the most characteristic of his reveries:
“LE CLAIR DE LUNE.
“‘Réveillez-vous gens qui dormez
Et priez pour les trépassés.’
--_Le cri du crieur de nuit._
“Oh! qu’il est doux, quand l’heure tremble au clocher, la nuit, de
regarder la lune qui a le nez fait comme un carolus d’or!
“Deux ladres se lamentaient sous ma fenêtre, un chien hurlait dans le
carrefour, et le grillon de mon foyer vaticinait tout bas.
“Mais bientôt mon oreille n’interrogea plus qu’un silence profond. Les
lépreux étaient rentrés dans leurs chenils, aux coups de Jacquemart qui
battait sa femme.
“Le chien avait enfilé une venelle, devant les pertuisanes du guet
enrouillé par la pluie et morfondu par la bise.
“Et le grillon s’était endormi, dès que la dernière bluette avait
éteint sa dernière lueur dans la cendre de la cheminée.
“Et moi, il me semblait,--tant la fièvre est incohérente,--que la lune,
grimant sa face, me tirait la langue comme un pendu!”
“MOONLIGHT.
“‘Wake, men who sleep,
And pray for the dead.’
--_Cry of the night-watchman._
“Oh! how pleasant it is, when the hour trembles in the belfry, at
night, to look at the moon, whose nose is shaped like a golden
carolus![3]
“Two lepers were complaining under my window, a dog was howling at the
cross-ways, and the cricket on my hearth was prophesying in a whisper.
“But soon my ear no longer questioned anything but a profound silence.
The lepers had gone back into their kennels, at the sound of Jacquemart
beating his wife.[4]
“The dog had fled away up an alley, before the halberds of the watch,
rain-soaked, and wind-frozen.
Public-domain text, read in full here on John Shaqi.
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