Literature, Modern -- 19th century -- History and criticism
sake of the nimble, the nimblest--be moles and clumsy dwarfs?” It is
not Nietzsche’s fault that his books have stimulated “moles and clumsy
dwarfs” to the grotesque exercise of trying to dance over themselves.
He did not write for them, and told them so. He insisted at all times
that he wrote “for higher ones, stronger ones, more triumphant and
merrier, for such as are built squarely in body and soul.” And his
writings are intended to teach such “laughing lions” to “become what
they are,” unimpeded by the morality that a thousand hands offer them
from below. He has not the vain, foolish hope of doing away with
moralities, but asks each of his “higher men” to be true to his
own. If he goes “beyond good and evil,” he is to carry with him his
private scale of good and bad, with which he is to measure his deeds in
accordance with the will to power that leads him and his descendants to
a higher, a more laughing perfection.
After the brief statement of these ideas, we can examine with better
hope of understanding the general character of Nietzsche’s thought. It
was not “systematic” in the usual sense, but it seems to me foolish to
describe as “unsystematic” a method of thinking whose formula was as
simple as his. He used the ideas I have catalogued precisely as the
alchemists hoped to use the philosopher’s stone for the transmutation
of metals. Applying them severally or together to a very large number
of statements he noted the resulting reactions, and found that they
turned truisms into popular fallacies. His books accordingly became
corrections of Pseudodoxia. He saw, for example, that if the Will
to Power be substituted for the Will to Live, and Ruler for Slave
Morality, the common judgments of men on everything in the world that
is capable of moral interpretation are in some way changed. He was
not content to leave others to find out in what way. He called this
change a “transvaluation of values,” and wished thus to transvaluate
all values, and so to offer to other men and to himself a new
representation of the world in the light of his own ideas, a task so
Sisyphean that it is in itself a sufficient explanation of the collapse
of his brain. His madness was not promised by his work, any more than a
broken neck is promised by riding to hounds. Nor did the vivid summer
lightning of his mind destroy him or even threaten destruction. His
madness was a catastrophe, not the culmination of a disease. His method
of thought, the continual endless application of his ideas, allowed him
to think too fast. No sedate erection of a system kept his brain to a
normal speed. Its disaster was like that of an engine which “races,”
as engineers say, breaks its crankshaft, or so whirls its flywheel as
to allow it to satisfy its centrifugality. All men build worlds for
themselves, but they borrow from each other, and are content to fill
with hasty scene-painting the gaps in their construction. No man is
capable of building in innumerable fragments a world complete and
Public-domain text, read in full here on John Shaqi.
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