Portraits in Plaster, from the Collection of Laurence HuttonHutton, Laurence
History
Portraits in Plaster, from the Collection of Laurence Hutton
Hutton, Laurence
Masks (Sculpture); Portraits
Mr. William Winter, who knew Barrett long and well, has spoken of “his
stately head silvered during the last few years with graying hair, of
his dark eyes deeply sunken and glowing with intense light, of his thin
visage paled with study and with pain, of his form of grace, and of his
voice of sonorous eloquence and solemn music, one of the few great
voices of this present dramatic generation in its compass, variety, and
sweetness. His head was a grand head; his face beautiful in its spirit,
its bravery, and its strength.” As the Rev. John A. Chadwick finely said
of him in the _Christian Register_, “The noblest part he ever acted was
the part of Lawrence Barrett—an honest, brave, and kindly gentleman.”
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[Illustration: LAWRENCE BARRETT]
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Mr. Barrett was one of the little party who were with Mr. Booth when the
idea of The Players was first conceived, and who helped their friend,
the Founder, to bring that association to its present perfected state.
Mr. Barrett was one of its legal incorporators; from the beginning until
his death he was a member of its governing body, and he was always
enthusiastic in his devotion to it, and to the objects for which Mr.
Booth had endowed it. At the annual celebration of the club, held upon
what is called “Founder’s Night,” December 31, 1890, Mr. Barrett read
aloud, and with a great deal of feeling, in the club-house, Mr. Thomas
Bailey Aldrich’s touching poem upon Mr. John S. Sargent’s portrait of
Mr. Booth, and it was noticed by many present that his voice faltered
when he spoke of
“Others standing in the place
Where save as ghosts we come no more.”
He was himself the first of those present to go to the Land of Shadows.
That his gentle spirit haunts the place, and will haunt it pleasantly
for many years to come, not one who knew and loved him there can for a
moment doubt.
Public-domain text, read in full here on John Shaqi.
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