Portraits in Plaster, from the Collection of Laurence HuttonHutton, Laurence
History
Portraits in Plaster, from the Collection of Laurence Hutton
Hutton, Laurence
Masks (Sculpture); Portraits
Mr. Irving, recalling his earliest associations with Booth in
Manchester, in 1861, has told me that the young actor seemed to him at
that time to be the most magnificent specimen of intellectual manhood he
had ever seen. And George William Curtis, writing in 1864, said: “Booth
is altogether princely. His costume is still the solemn suit of sables,
varied according to his fancy of greater fitness; and his small, lithe
form, with the mobility and intellectual sadness of his face, and his
large, melancholy eyes, satisfy the most fastidious imagination that
this is Hamlet as he lived in Shakspere’s time.”
Mrs. M. E. W. Sherwood, speaking of him when he was in his perfect
prime, in the part of Othello alludes to “that dark face to which the
Eastern robe was so becoming, seeming at once to be telling its mighty
story of adventure and conquest. It was a proud and beautiful face.
Desdemona was not worthy of it.”
Booth’s face was to me one of the most beautiful and most lovable that I
ever looked upon.
The only feminine heads in the collection graced once the shoulders of a
trio of queens, a Queen of Tragedy, a Queen of Prussia, and a Queen of
Song. The mask of Mrs. Siddons is in the possession of Mr. Percy
Fitzgerald. It is generally accepted as having been taken from the
actual face of the great actress, but its pedigree or its history Mr.
Fitzgerald does not know.
A bust of Mrs. Siddons by J. Smith, 57 Upper Norton Street, Marylebone,
was exhibited in the Model Room of the Royal Academy in 1813, the year
before she retired from the stage. Mr. Edward W. Hennell has an
autograph letter of Mrs. Siddons, undated and addressed simply “Sir,”
but written, evidently, to this artist and referring to this bust. In it
she says, “The time is drawing near which will bring my labors to an
end, and I shall then hope to be able to indulge myself in many
gratifications of which they have hitherto deprived me, and among which
that of visiting your study will stand very forward.”
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[Illustration: EDWIN BOOTH]
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It is not improbable that Smith made a cast of Mrs. Siddons’s face, a
common occurrence in those days, although unfortunately no such
occurrence is recorded by Mrs. Siddons herself, or by any of her
biographers.
Public-domain text, read in full here on John Shaqi.
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