Portraits in Plaster, from the Collection of Laurence HuttonHutton, Laurence
History
Portraits in Plaster, from the Collection of Laurence Hutton
Hutton, Laurence
Masks (Sculpture); Portraits
The head of Schiller has lain as uneasily since his death as if he had
worn a crown, or, like Cromwell, had rejected one. The story of its
posthumous wanderings is very grewsome. It is told at length by Emil
Palleske in his _Life of Schiller_, and at greater length by Mr. Andrew
Hamilton. The poet left a widow and family almost friendless and almost
penniless; his brother-in-law Wolzogen was absent, and Goethe lay very
ill. A cast of Schiller’s head was taken by Klauer; and his body,
hurriedly put into a plain deal coffin of the cheapest kind, was buried
in a public vault, with nothing to designate whose body it was, and
without the utterance of a word or a note of requiem. Twenty-one years
later, as was the custom of the place, this public vault was emptied,
and the bones it contained were scattered to make room for a new
collection. Friends of Schiller, after great and unpleasant labor,
gathered together twenty-three of these dishonored skulls, from which
they selected as Schiller’s that one “which differed enormously from all
the rest in size and shape;” they compared it with Klauer’s cast, and
accepted its identity. It was then deposited, with no little ceremony,
in the hollow pedestal containing Dannecker’s colossal bust of Schiller
in the Grand Ducal Library at Weimar. Goethe, however, desiring to
recover more of the mortal part of his friend, had the head removed
again and fitted to the rest of the bones of the body. These bones were
deposited also in the Library, and the head put back in its pedestal. In
1827, at the suggestion of Louis of Bavaria, the head and the trunk were
reunited and placed in a vault which the grand duke had built for
himself and for his own family; and there, by the side of Goethe, who
joined him in 1832, Schiller still rests.
Palleske, describing Schiller’s death, says: “Suddenly an electric shock
seemed to vibrate through him, the most perfect peace lit up his
countenance, his features were those of one calmly sleeping.” And this
is the impression his death-mask gives.
Carlyle in one of his flash-light pictures thus photographed
Schiller—the negative was found in the Commonplace-book of the late Lord
Houghton—“He was a man with long red hair, aquiline nose, hollow cheeks,
and covered with snuff.”
Public-domain text, read in full here on John Shaqi.
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