Portuguese literatureBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
Portuguese literature
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Portuguese literature -- History and criticism
[325] His complaint in the second elegy (1885 ed., No. 147, l. 17)
shows how far he was in advance of his age in Portugal: _Um vilancete
brando ou seja um chiste, Letras ás invenções, motes ás damas, Hũa
pregunta escura, esparsa triste, Tudo bom, quem o nega? Mas porque, Se
alguem descobre mais, se lhe resiste?_
[326] Often he combines several in the same poem. Thus the long (533
lines) eclogue on the death of Garci Lasso (_Nemoroso_) begins in
_tercetos_, proceeds with _rima encadeada_ (internal rhyme), and ends
with Petrarcan stanzas.
[327] Cf. the sonnet (1885 ed., No. 126) _Esprito que voaste_ with
_Alma minha gentil_.
[328] The autograph manuscript of this and of other poems, discovered
in the Lisbon Biblioteca Nacional by Snr. Delfim Guimarães in 1908, has
been reproduced in facsimile by D. Carolina Michaëlis de Vasconcellos
in the _Boletim_ of the Lisbon _Ac. das Sciencias_, vol. v (1912), pp.
187-220. See _infra_, p. 164.
[329] Leonel da Costa, the translator of Virgil and Terence, later
wrote a poem in seven cantos of _redondilhas_ on the same subject: _A
Conversão miraculosa da felice egypcia penitente Santa Maria_ (1627).
[330] Faria e Sousa even makes him the first Portuguese poet to write
hendecasyllabics, setting aside those of Sá de Miranda as unreadable:
_son incapaces de ser leidos!_ (_Varias Rimas_, pt. ii, p. 162).
[331] He was _Moço da camara_ in 1566. He was appointed a knight of the
Order of Christ in 1582. He married apparently after his return from
Africa in 1581. He was alive in 1596 (although in one of his poems he
refers to a premature old age) and dead in 1605. On the other hand, he
was apparently over twenty-five in 1558. It is thought that the right
of passing on his official posts to his children (_sobrevivencia_),
granted to his father in 1532, may indicate the date of the birth of
the eldest of his eleven children: Diogo Bernardez (who did not, like
some of his brothers, use his father’s second name, Pimenta).
[332] _Carta_ 12: _Confesso dever tudo áquella rara Doutrina tua_.
[333] The succeeding generation was also distinguished, one of the
poet’s nephews becoming Bishop of Angra, another Governor of Angola, a
third Professor at Coimbra University.
[334] Bernardez’ letters in verse contain many such references to
everyday life, e. g. the Lisbon negress selling fried fish in the
_Betesga_.
[335] A confident sonnet by him in this capacity is extant: _Pois
armarse por Christo não duvida Sebastião._
[336] _O doce estillo teu tomo por guia_ and _Escrevo, leio e risco_
he writes to Miranda, but his muse was far more spontaneous than
Miranda’s, and it appears from another passage (in _Elegia_ 5) that his
alterations were less of style than of matter.
[337] _Carta_ 32 is an exception, and consists of seventy-two _oitavas_.
[338] He introduces Italian lines (_Cartas_ 23, 27, 30) and wrote a
sonnet in Italian.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account