Portuguese literatureBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
Portuguese literature
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Portuguese literature -- History and criticism
in this legendary figure, granted him two bushels of wheat in January
1583, and in July of the same year he died. He had long before left
the Company of Jesus, either of his own free will or expelled, perhaps
on suspicion of Jewish descent.[517] His name was erased from the
Company’s records and letters. Of his twenty-one years of trader,
envoy, pirate, and missionary in the far East he wrote for his children
a narrative of breathless interest, and, speaking generally, it bears
the stamp of truth. We gather that he was brave and adventurous,
despite a natural timidity, of a consuming curiosity which often got
the better of his fears, pious, temperate, apt to be carried away by
fugitive enthusiasms, but persistent, gay, and optimistic in defeat
and disappointment. He appears not to have been particularly vain. He
does not disguise some of his less creditable actions, and he certainly
does not exaggerate his services in Japan.[518] He may possibly have
been one of the three Portuguese who discovered it in 1542: their
names are given by Couto (V. viii. 12) as Mota, Zeimoto and Peixoto.
Gifted with keen imagination, he could exaggerate[519] when expediency
required, but he knew that in the account of his travels exaggeration
was not expedient, and he was constantly on guard against the notorious
scepticism of his fellow-countrymen.[520] He may have heightened the
colour occasionally, but as a rule he writes with restraint, although
with delight in a good story and skill in bringing out the dramatic
side of events. It is one of the charms of his work that it is very
definite in dates and figures, but this also, through inevitable errors
and misprints, afforded a handle to the pedantry of critics. The fatal
similarity of Mendez and mendacity gave rise to the play on his name:
_Fernam, mentes? Minto_ (‘Fernam, do you lie?--I lie’), and Congreve,
in _Love for Love_, by calling him ‘a liar of the first magnitude’
clinched the matter in England. But comparatively early a reaction
set in,[521] and modern travellers have unequivocally confirmed the
more favourable verdict and corroborated his detailed descriptions of
Eastern countries. The mystery of the East, the heavy scent of its
cities, its fervent rites and immemorial customs, as well as the magic
of adventure, haunt his pages. A hundred pictures refuse to fade from
the memory, whether they are of silk-laden Chinese junks or jars of
gold dust, vivid descriptions of shipwreck (the hiss and swell of the
waves are in his rich sea-Latin) or the awful pathos of the Queen of
Martavão’s death, the sketch of a supercilious Chinese mandarin or of
St. Francis Xavier tramping through Japan.
Public-domain text, read in full here on John Shaqi.
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