Portuguese literatureBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
Portuguese literature
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Portuguese literature -- History and criticism
Like Frei Luis de Sousa, FREI MANUEL DA ESPERANÇA (1586-1670) became
the historian of his Order in the _Historia Seraphica da Ordem dos
Frades Menores_ (2 pts., 1656, 66). We know from remarks in the second
part that he paid the greatest attention to its composition, for which
he had prepared himself by reading _hũa multidão notavel_ of books
on that and kindred subjects. Similar excellence of style marks the
later work of the Jesuit FRANCISCO DE SOUSA (1628?-1713), _O Oriente
conquistado_ (2 vols., 1710), in which he chronicles the history of the
Company in the East.
The most celebrated Portuguese preacher of his time,[569] Frei Thomé
de Jesus’ brother, DIOGO DE PAIVA DE ANDRADE (1528-75), represented
Portugal at the Council of Trent in 1561. His eloquent _Sermões_
(1603, 4, 15) were published posthumously in three parts. His mantle
fell upon FRANCISCO FERNANDEZ GALVÃO (1554-1610), the prose of whose
_Sermões_ (3 vols., 1611, 13, 16) is admirably restrained and pure.
Less sonorous than the periods of Paiva de Andrade, the _Trattados_
[_sic_] _Quadragesimais e da Paschoa_ (1609) and _Tratados das Festas e
Vidas dos Santos_ (2 pts., 1612, 15) of the Dominican FREI ANTONIO FEO
(1573-1627) perhaps gain rather than lose by being read, not heard. In
the clearness and precision of their prose they are scarcely inferior
to the remarkable _Sermões_ (3 pts., 1617, 18, 25) of the Augustinian
FREI PHILIPE DA LUZ (1574-1633), confessor to the Duke of Braganza
(afterwards King João IV), in whose palace at Villa Viçosa he died. He,
too, writes _sem grandes eloquencias_; he is as precise as Feo in his
use of words, and his vocabulary is as extensive. Purity, concision,
clearness, and harmony give him, together with Feo, Ceita, and Veiga, a
high place in Portuguese prose.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account