Portuguese literatureBell, Aubrey F. G. (Aubrey Fitz Gerald)
History
Portuguese literature
Bell, Aubrey F. G. (Aubrey Fitz Gerald)
Portuguese literature -- History and criticism
In Portugal the first quarter of the nineteenth century was filled
with violence and unrest. The French invasion and years of fighting
on Portuguese soil were followed by a series of revolutions and civil
wars. It seemed as if a more general earthquake had come to complete
the ruin of 1755, against which Lisbon had so finely re-acted. The
historian who attempts to record the conflicts between Miguelists
and Constitutionalists, and the miserable political intrigues
which accompanied the ultimate victory of the latter, must waver
disconsolately between tragedy and farce. But horrible and pitiful as
were many of these events, they succeeded in awakening what had seemed
a dead nation to a new life. The introduction of the parliamentary
system called into being eloquent orators, and, more valuable than
much eloquence, the conviction sprang up, partly under foreign
influence, partly through love of the soil, deepened by persecution
and banishment, that literature might have a closer relation to earth
and life than a philological Filintian ode. Returning exiles brought
fresh ideas into the country, and the two men who dominated Portuguese
literature in the first half of the century had both learnt much from
their enforced sojourn abroad. ALMEIDA GARRETT (1799-1854), one of
the strangest and most picturesque figures in literature, was born at
Oporto, but spent his boyhood in the Azores (Ilha Terceira), where his
uncles, especially the Bishop of Angra, gave him a classical education
and destined him for the priesthood. He, however, preferred to study
law at Coimbra (1816-21). Here politics were in the air and he soon
made himself conspicuous as a Liberal. The fall of the Constitution
drove him into exile (1823) in England (near Edgbaston and in London),
and France (Havre and Paris), and for the next thirty years politics
remained one of his ruling passions. His first great opportunity for
rhetorical display was his defence in the law-courts against the
charge of impiety incurred by the publication of his poem _O Retrato
de Venus_ (1821), although even before going to Coimbra he is said to
have preached to a church full of people. He was able to return to
Portugal in 1826, and edited _O Chronista_ and _O Portuguez_, which
evoked Macedo’s wrath and ended in Garrett’s imprisonment. When Dom
Miguel returned from Brazil and, instead of ‘signing the paper’ (the
famous _Carta_ of 1826), had himself declared absolute king (1828)
Garrett again became an exile, chiefly in London, and did not return
to his country till July 1832, when he landed as a private soldier at
Mindello, one of the famous 7,500 who fought for King Pedro and his
daughter, Maria da Gloria. His zeal and outspokenness rendering him an
uncomfortable colleague at Lisbon, he fared rather badly in the ignoble
scramble for office which followed the triumph of the cause. He was
sent first on a mission to London and then as _chargé d’affaires_ to
Brussels (1834-6).
Public-domain text, read in full here on John Shaqi.
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