[47] C. V. 242-51, 979; C. C. B. 159-71 (= C. A. 70-81, 402). [48] C. V. 414-16, 824-5; C. A. 281. [49] Meen di nho in the C. V. M. index. Thus he is scarcely even a name. [50] Or Esquio (? = _esquilo_, ‘squirrel’). [51] Or Corpancho (Broade) or Campancho (Broadacre); but the word _carpancho_ (= basket) exists in the region of Santander (_La Montaña_). There is a modern Peruvian poet Manuel Nicolás Corpancho (1830-63). [52] This is the most probable form of his name, although modern critics have presented him with various others. [53] M. Alfred Jeanroy (_Les Origines_, 2ᵉ ed., 1904, p. 320) compares with this _bailada_ the fragments _Tuit cil qui sunt enamourat Vignent dançar, li autre non_ and _N’en nostre compaignie ne soit nus S’il n’est amans_, but even if there was direct imitation here, which is doubtful, that would not affect the indigenous character of the _cossantes_. [54] Or, according to D. C. Michaëlis de Vasconcellos, Moogo (from _monachus_). _Meogo_ (= _meio_) occurs in C. M. 65 and 161, _moogo_ (= monk) in C. M. 75 and 149. [55] C. V. 392-402, 424-30, 1158-9; C. A. 246-56. Chariño is buried at Pontevedra, in the Franciscan convent which he founded. [56] Cf. the modern _Ai lé lé lé, marinheiro vira á ré_ or _Ai lé lé lé Ribamar e S. José_. [57] For later reminiscences of the _pastorela_ see C. Michaëlis de Vasconcellos, _João Lourenço da Cunha, a ‘Flor de Altura’ e a cantiga Ay Donas por qué em tristura?_ (_Separata da Revista Lusitana_, vol. xix) Porto (1916), pp. 14-15. [58] See _supra_, p. 23. [59] A modern Portuguese quatrain runs Passarinho que cantaes Nesse raminho de flores, Cantae vos, chorarei eu: Assim faz quem tem amores. [60] By the margin of a river Went a maiden singing, ever Of love sang she: Up the stream the boats came gliding Gracefully. All along the river-bent The fair maiden singing went Of love’s dream: Fair to see the boats came gliding Up the stream. [61] _Poetica_ (C. C. B., p. 3, ll. 50-1). [62] It probably does not rhyme (_e morre_ or _corre_) purposely. D. Carolina Michaëlis de Vasconcellos proposes _gracioso_ or _friolo_ (_A Saudade Portuguesa_, Porto, 1914, pp. 84, 140). [63] _España Sagrada_, xx. 211. [64] C. A. M. V. ii. 928-36. Almeida Garrett had written in a general sense: _os vestigios d’essa poesia indigena ainda duram_ (_Revista Univ. Lisbonense_, vol. v (1846), p. 843). [65] At Rebordainhos, in Tras-os-Montes, e.g. _Na ribeirinha ribeira Naquella ribeira Anda lá um peixinho vivo (bravo) Naquella ribeira_. Other examples of the _i-a_ sequence are _amigo_ (_amado_), _cosido_ (_assado_), _villa_ (_praça_), _ermida_ (_oraga_), _linda_ (_clara_), _Abril_ (_Natal_), _ceitil_ (_real_). See J. Leite de Vasconcellos, _Annuario para o estudo das tradições populares portuguezas_ (Porto, 1882), pp. 19-24. Cf. the modern Asturian song with its refrain _¡Ay Juana cuerpo garrido, ay Juana cuerpo galano!_