Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
Lo! the earth gaped sheer and deep with vast abyss, and the stars
of heaven and the shades of the dead trembled with one accord: a
vast chasm drew him down and swallowed his steeds as they made
ready to leap the gulf: he loosed not the grip on rein or spear,
but, as he was, carried his car steadfast to Tartarus, and, as he
fell, gazed up to heaven and groaned to see the plain close above
him, till a lighter shock once more united the gaping fields and
shut out the light from hell.
Here we see Statius at his highest level, whether in point of metre,
diction, or poetic imagination.
Of the other characters there is little to be said. For all the wealth
of detail that Statius has lavished on them, they are featureless.
Adrastus is a colourless and respectable old king, strongly reminiscent
of Latinus. Capaneus and Hippomedon are terrific warriors of gigantic
stature and truculent speech, but they are wholly uninteresting. Argia
and Jocasta are too rhetorical, Antigone too slight a figure to be
really pathetic; Oedipus can do little save curse, which he does with
some rhetorical vigour; but the gift of cursing hardly makes a
character. Parthenopaeus, however, is a pathetic figure; he is an
Arcadian, the son of Atalanta, a mere boy whom a romantic ambition has
hurried into war ere his years were ripe for it. His dying speech is
touching, though it errs on the side of triviality and mere prettiness
(ix. 877):
at puer infusus sociis in devia campi
tollitur (heu simplex aetas!) moriensque iacentem
flebat equum; cecidit laxata casside vultus,
aegraque per trepidos exspirat gratia visus,
* * * * *
ibat purpureus niveo de pectore sanguis.
tandem haec singultu verba incidente profatur:
'labimur, i, miseram, Dorceu, solare parentem.
illa quidem, si vera ferunt praesagia curae,
aut somno iam triste nefas aut omine vidit.
tu tamen arte pia trepidam suspende diuque
decipito; neu tu subitus neve arma tenenti
veneris, et tandem, cum iam cogere fateri,
dic: "Merui, genetrix, poenas invita capesse;
arma puer rapui, nec te retinente quievi,
nec tibi sollicitae tandem inter bella peperci.
vive igitur potiusque animis irascere nostris,
et iam pone metus. frustra de colle Lycaei
anxia prospectas, si quis per nubila longe
aut sonus aut nostro sublatus ab agmine pulvis:
frigidus et nuda iaceo tellure, nec usquam
tu prope, quae vultus efflantiaque ora teneres.
hunc tamen, orba parens, crinem"--dextraque secandum
praebuit--"hunc toto capies pro corpore crinem,
comere quem frustra me dedignante solebas.
huic dabis exsequias, atque inter iusta memento,
ne quis inexpertis hebetet mea tela lacertis
dilectosque canes ullis agat amplius antris.
haec autem primis arma infelicia castris
ure, vel ingratae crimen suspende Dianae."'
Public-domain text, read in full here on John Shaqi.
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