The _Thebais_ of Statius is full of episodes that only find a place because Vergil had borrowed similar episodes from Homer. But the _Thebais_ is a professedly mythological epic, and Statius commands a light touch and brilliant colours. The reader merely groans when the heavy-handed Silius introduces his wondrously engraven shield,[610] his funeral games,[611] his Amazon,[612] his dismal catalogues,[613] his Nekuia.[614] In the latter episode, he even introduces the Vergilian Sibyl of Cumae; it is a redeeming feature that Scipio does not make a 'personally conducted tour' through the nether world; such a direct challenge to the Sixth Aeneid was perhaps impossible for so true a lover of Vergil as Silius. The Homeric method of necromancy is wisely preferred, and the Sibyl reveals the past and future of Rome as the spirits pass before them. But there are no illuminating flashes of imagination; the best feature of the episode is an uninspired and frigid appropriateness. Nothing serves better than the failure of Silius to show at once the daring and the genius of Vergil, when he ransacked the wealth of Homer and from a greater Greek Borrowed as beautifully as the moon The fire o' the sun. Apart from these unintelligent plagiarisms and vexatious absurdities, the actual form and composition of the work show some skill. The poet passes from scene to scene, from battle to battle, with ease and assurance in the earlier books. It is only with the widening of the area of conflict that the work loses its connexion. The earlier and less important exploits of the elder Scipios were wisely dismissed in a few words.[615] The poet avoided the mistake of undue scrupulosity in respect of chronology and makes no attempt to pose as a scientific military historian. But it is a serious defect that he should fail to show the significance of the successful 'peninsular campaign' of the younger Scipio. Here, as in the descriptions of the siege of Syracuse, the reader is haunted by the feeling that these great events are regarded as merely episodic. Even the thrilling march of Hasdrubal, ending in the dramatic catastrophe of the Metaurus, is hardly given its full weight. There is more true historical and dramatic appreciation in Horace's Karthagini iam non ego nuntios mittam superbos: occidit, occidit spes omnis et fortuna nostri nominis Hasdrubale interempto