Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
than in all the ill-proportioned verbiage of Silius. The task of setting
forth the course of a conflict that flamed all over the Western
Mediterranean world was not easy, and Silius' failure was
proportionately great. Nay--if it be not merely the hallucination of a
weary reader--he seems to have tired of his task. The first twelve books
take us no further than Hannibal's appearance before the walls of Rome,
and the war is summarily brought to a close in the last five books,
although these, it should be noted, are by no means free from irrelevant
matter. The last three books above all are jejune and perfunctory, and
it has been suggested that they lack the final revision that the rest of
the work had received. Be this as it may, the result of the inadequate
treatment of the close of the war is that the reader lays down the poem
with no feeling of the greatness of Rome's triumph.
Yet even with these faults of composition, a genuine poet might have
wrought a great work from the rough ore of history. The scene is
thronged with figures as remarkable and inspiring as history affords.
There is the fierce irresistible Hannibal, the sagacious Fabius, the
elder Scipios, tragic victims of disaster, the younger Scipio, glorious
with the light of victory as the clouds of defeat are rolled away,
Hasdrubal hurled to ruin at the supreme crisis of the war, Marcellus the
victorious, beleaguered[616] and beleaguerer, the ill-starred Paulus,
the Senate of Rome that thanked the fugitive Varro because he had not
despaired of the republic,[617] and above all the gigantic figure of
Rome herself, unshaken, indomitable, triumphant. These are no dry bones
that the breath of the poet alone should make them live. They breathe
immortal in the prose of Livy, in the verse of Silius they are vain
'shadows of men foredone'. The Hannibal of Silius is not the dazzling
villain of Livy, the incarnation of military daring and 'Punic faith'.
Mistaken patriotism does not lead Silius to blacken the character of
Rome's great antagonist; he strives to do him justice; he is as true a
patriot, as chivalrous[618] a warrior, as any of the Roman leaders. But
he does not live; he is merely the stock warrior of epic, and his
exploits fail to compel belief.
Public-domain text, read in full here on John Shaqi.
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