Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
His themes are manifold. He might have said, with even greater truth
than Juvenal, 'quidquid agunt homines, nostri est farrago libelli.' He
does not go beneath the surface, but almost every aspect of the
kaleidoscopic world of Rome receives his attention at one time or
another. His attitude is, on the whole, satirical, though his satire is
not inspired by deep or sincere indignation. He is too easy in his
morals and too good-humoured by temperament. He is often insulting, but
there is scarcely a line that breathes fierce resentment, while his
almost unparalleled obscenity precludes the intrusion of any genuine
earnestness of moral scorn in a very large number of his satiric
epigrams. On these points he shall speak for himself; he makes no
exacting claims.
'I hope,' he says in the preface to his first book, 'that I have
exercised such restraint in my writings that no one who is possessed of
the least self-respect may have cause to complain of them. My jests are
never outrageous, even when directed against persons of the meanest
consideration. My practice in this respect is very different from that
of early writers, who abused persons without veiling their invective
under a pseudonym. Nay more, their victims were men of the highest
renown. My _jeux d'esprit_ have no _arrières-pensées_, and I hope that
no one will put an evil interpretation on them, nor rewrite my epigrams
by infusing his own malignance into his reading of them. It is a
scandalous injustice to exercise such ingenuity on what another has
written. I would offer some excuse for the freedom and frankness of my
language--which is, after all, the language of epigram--if I were
setting any new precedent. But all epigrammatists, Catullus, Marsus,
Pedo, Gaetulicus, have availed themselves of this licence of speech.
But if any one wishes to acquire notoriety by prudish severity, and
refuses to permit me to write after the good Roman fashion in so much
as a single page of my work, he may stop short at the preface, or even
at the title. Epigrams are written for such persons as derive pleasure
from the games at the Feast of Flowers. Cato should not enter my
theatre, but if he does enter it, let him be content to look on at the
sport which I provide. I think I shall be justified in closing my
preface with an epigram
TO CATO
Once more the merry feast of Flora's come,
With wanton jest to split the sides of Rome;
Yet come you, prince of prudes, to view the show.
Why come you? merely to be shocked and go?'
He reasserts the kindliness of his heart and the excellence of his
intentions elsewhere:
hunc servare modum nostri novere libelli;
parcere personis, dicere de vitiis (x. 33).
For in my verses 'tis my constant care
To lash the vices, but the persons spare.
HAY.
Public-domain text, read in full here on John Shaqi.
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