Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
Malignant critics _had_ exercised their ingenuity in the manner which he
deprecated.[659] Worse still, libellous verse had been falsely
circulated as his:
quid prodest, cupiant cum quidam nostra videri
si qua Lycambeo sanguine tela madent,
vipereumque vomant nostro sub nomine virus
qui Phoebi radios ferre diemque negant? (vii. 12. 5).
But what does't avail,
If in bloodfetching lines others do rail,
And vomit viperous poison in my name,
Such as the sun themselves to own do shame?
ANON., 1695.
In this respect his defence of himself is just. When he writes in a vein
of invective his victim is never mentioned by name. And we cannot assert
in any given case that his pseudonyms mask a real person. He may do no
more than satirize a vice embodied and typified in an imaginary
personality.
He is equally concerned to defend himself against the obvious charges of
prurience and immorality:
innocuos censura potest permittere lusus:
lasciva eat nobis pagina, vita proba[660] (i. 4. 7).
Let not these harmless sports your censure taste!
My lines are wanton, but my life is chaste.
ANON., seventeenth century.
This is no real defence, and even though we need not take Martial at his
word, when he accuses himself of the foulest vices, there is not the
slightest reason to suppose that chastity was one of his virtues. In
Juvenal's case we have reason to believe that, whatever his weaknesses,
he was a man of genuinely high ideals. Martial at his best shows himself
a man capable of fine feeling, but he gives no evidence of moral
earnestness or strength of character. On the other hand, to give him his
due, we must remember the standard of his age. Although he is lavish
with the vilest obscenities, and has no scruples about accusing
acquaintances of every variety of unnatural vice, it must be pointed out
that such accusations were regarded at Rome as mere matter for laughter.
The traditions of the old _Fescennina locutio_ survived, and with the
decay of private morality its obscenity increased. Caesar's veterans
could sing ribald verses unrebuked at their general's triumph, verses
unquotably obscene and casting the foulest aspersions on the character
of one whom they worshipped almost as a god. Caesar could invite
Catullus to dine in spite of the fact that such accusations formed the
matter of his lampoons. Catullus could insert similar charges against
the bridegroom for whom he was writing an _epithalamium_. The writing of
Priapeia was regarded as a reputable diversion. Martial's defence of his
obscenities is therefore in all probability sincere, and may have
approved itself to many reputable persons of his day. It was a defence
that had already been made in very similar language by Ovid and
Catullus,[661] and Martial was not the last to make it. But the fact
Public-domain text, read in full here on John Shaqi.
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