Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
70. The schoolmaster was not infrequently, it is to be feared, of
doubtful character. Cp. the case of the famous rhetorician Remmius
Palaemon. Cp. also Quint, i. 3. 13.
71. c. 35.
72. Tac. _Dial_. 26.
73. The influence of rhetoric was of course large in the Augustan age.
Vergil and still more Ovid testify to this fact. But the tone of
rhetoric was saner in the days of Vergil. Ovid, himself no
inconsiderable influence on the poetry of the Silver Age, begins to show
the effects of the new and meretricious type of rhetoric that flourished
under the anti-Ciceronian reaction, when the healthy influence of the
great orators of a saner age began to give way before the inroads of the
brilliant but insincere epigrammatic style. This latter style was
fostered largely by the importance assigned to the _controversia_ and
_suasoria_ as opposed to the more realistic methods of oratorical
training during the last century of the republic.
74. See Mayor on Juv. iii. 9.
75. Cp. Juv. i. 1 sqq., iii. 9. For the enormous part played in social
life by recitations cp. Plin. _Ep_. i. 13, ii. 19, iv. 5, 27, v. 12, vi.
2, 17, 21, viii. 21.
76. Cp. especially the speeches of Lucan.
77. For some very just criticism on this head cp. Quint, viii. 5. 25
sqq.
78. For amusing instances of rudeness on the part of members of the
audience ep. Sen. _Ep._ cxxii. 11; Plin. _Ep._ vi. 15.
79. Petr. 83, 88-91, 115. Mart. iii. 44. 10 'et stanti legis et legis
cacanti. | in thermas fugio: sonas ad aurem. | piscinam peto: non licet
natare. | ad cenam propero: tenes euntem. | ad cenam venio: fugas
sedentem. | lassus dormio: suscitas iacentem.' Cp. also 3, 50 and
passim. Plin. _Ep._ vi. 13; Juv. i. 1-21; iii. 6-9; vii. 39 sqq.
80. Plin. _Ep._ viii. 12.
81. Suet. _Dom._ 4.
82. Tac. _Dial_. 35
83. See ch. v.
84. There had always, it may be noted, existed an archaistic section of
literary society. Seneca (_Ep._ cxiv. 13), Persius (i. 76), and Tacitus
(_Dial._ 23) decide the imitators of the early poets of the republic.
But virtually no trace of pronounced imitation of this kind is to be
observed in the poetry that has survived. Novelty and what passed for
originality were naturally more popular than the resuscitation of the
dead or dying past.
85. Boissier, _L'Opposition sous les Césars_, p. 238.
86. Macrobius (_Sat._ 10. 3) speaks of a revival of the Atellan by a
certain Mummius, but gives no indication of the date.
87. Juv. viii. 185.
888. Suet. _Calig._ 57; Joseph. _Ant._ xix. 1. 13; Juv. viii. 187.
89. Mart. _de Spect._ 7.
90. Plutarch, _de Sollert. Anim._ xix. 9.
91. Suet. _Tib_. 45.
92. ib. _Ner_. 39.
93. Ib. _Galb_. 13.
94. Ib. _Dom_. 10.
95. Ib. _Calig_. 27; _Nero_, I. c.; Tac. _Ann_. iv. 14.
96. _C. I. L_. ix. 1165.
97. _Ep_. vi. 21.
98. Suet. _Ner_. II.
999. Quint, xi. 3. 178.
100. Juv. iii. 93.
101. x. 1, 99.
102. Lucian, _de Salt_. 27.
103. Suet. _Ner_. 24.
104. Lucian, _de Salt_. 79.
105. Suet. _ap. Hieronym_. (Roth, p. 301, 25).
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