Post-Augustan Poetry From Seneca to JuvenalButler, Harold Edgeworth
History
Post-Augustan Poetry From Seneca to Juvenal
Butler, Harold Edgeworth
Latin poetry -- History and criticism; Rome -- In literature
106. Plut. _Qu. Conv_. vii. 8. 3; Sen. _Contr_. 3. praef. 10.
107. Lucian, op. cit., 37-61.
108. Plut, _Qu. Conv_. iv. 15. 17; Libanius (Reiske) iii, p. 381.
109. Lucian, op. cit., 69 sqq.
110. e.g. Pasiphae, Cinyras and Myrrha, Jupiter and Leda. Lucian, 1. c.;
Joseph. _Ant. Iud_. xix. 1. 13; Juv. vi. 63-6.
111. For the effect of such dancing cp. the interesting stories told by
Lucian, op. cit., 63-6. Cp. also Liban., in, p. 373. For the importance
attached to gesture in ancient times see Quint. xi. 3. 87 sqq.
112. Story of Turnus; Suet, _Ner_. 54. Dido; Macrob. Sat. v. 17. 15.
113. See p. 100.
114. Juv. vii. 92.
115. For the general history of the pantomimus see Friedländer,
_Sittengeschicht,_ II. in. 3, and Lucian, _de Saltatione_.
116. Dion. liv. 17; Tac. _Ann_. i. 54 and 77; Dion. lvii. 14.
117. Suet. _Ner_. 46.
118. There is no clear proof of the performance on the Roman stage of
any tragedy in the strict sense of the word during the Silver Age. The
words used e.g. in Dio Chrys. (19, p. 261: 23, p. 396), Lucian
(_Nigrin_. 8), Libanius (iii, p. 265, Reiske) may refer merely to the
performance of isolated scenes. See note on Vespasian's attitude to the
theatre, p. 166.
119. Pliny the elder wrote his life. Plin. _Ep_. iii. 5. Cp. also Tac.
_Ann_. v. 8; xii. 28; Plin. _N.H_. xiii. 83.
120. Ribbeck, _Trag. Rom. Fr_. p. 268, fr. 1; p. 331 (ed. 3).
121. _Ann_. xi. 13.
122. Charis, _Gr. Lat_. i. p. 125, 23; p. 137, 23.
123. Tac. _Dial_. II.
124. Ib. 2, 3.
125. Ib. 3.
126. Ib. 3.
127. Ib. II.
128. Juv. vii. 12.
129. Juv. vii. 12.
130. Ib. vii. 72.
131. He flourished in reign of Domitian. Schol. Vall. luv. i. 20; Mart.
xi. 9 and 10; Donat. _Gramm. Lat_. iv. p. 537, 17; Apollin. Sid. ix. 266.
132. In the fragment preserved by Donatus (Ribbeck, _Trag. Rom. Fr_. p.
269) the chorus address Hecuba under the name Cisseis. 'Fulgentius
expos. serm. antiq. 25 (p. 119, 5, Helm) says _Memos_ (Schopen emends
to _Memor_) _in tragoedia Herculis ait: ferte suppetias optimi
comites_.'
133. xi. 2. 8.
134. Mart. _i._ 61, 7; _Poet. Lat. Min._ iv. p. 62, 19, Bachrens.
135. Tac. _Ann._ xv. 73; xvi. 17.
136. Tac. _Ann._ xv. 73; xvi. 17.
137. Sen. _ad Helv. de Cons._ xix. 2.
138. Sen. _ad Helv._ 1. c.; _Ep._ lxxviii. 1. Dion. Cass. lix. 19.
139. 5 Dion. Cass. 1. c.
140. Suet. _Calig._ 53. See ch. i. p. 4.
141. _Ep._ cviii. 17 sqq.; Hioronym. _ad ann._ 2029. That he knew and
never lost his respect for the teaching of Pythagoras is shown by the
frequency with which he quotes him in the letters.
142. _Ep._ cviii. 3 sqq.
143. Cp. the speech of Suillius, Tac. _Ann._ xiii. 42; Dion.
Cass. lxi. 10.
144. _ad Helv. de Cons._ 6 sqq.
145. _ad Polyb. de Cons._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account