Post-Mediæval Preachers: Some Account of the Most Celebrated Preachers of the 15th, 16th, & 17th Centuries; with outlines of their sermons, and specimens of their styleBaring-Gould, S. (Sabine)
History
Post-Mediæval Preachers: Some Account of the Most Celebrated Preachers of the 15th, 16th, & 17th Centuries; with outlines of their sermons, and specimens of their style
Baring-Gould, S. (Sabine)
Preaching
With the Renaissance, the artist turned from the contemplation of God’s
handiwork, but not so the sacred orator. In him the same love for the
works of God is manifest, his mind returns to them again and again, he
gathers simile and illustration from them with readiness and freedom,
he seems to stand before his congregation with the written word in his
right hand, and the unwritten word in his left, and to read from the
written, and then turn to the unwritten as the exponent of the other.
Nature was not then supposed to be antagonistic to Revelation, but to be
its Apocrypha, hidden writings full of the wisdom of God, and meet “for
examples of life and instruction of manners.”
The great Bernard used the heart-language of every mediæval theologian
when he said, “Believe me who have tried it; you will find more in the
woods than in books: the birds will teach you that which you can learn
from no master.”
In like temper did Philip von Hartung preach to a courtly audience on the
text, “Consider the fowls of the air,” and drawing them away from the
glitter of the palace, and the din of the city, set them down in a meadow
to hear the lessons taught them by the lark.
“Consider the fowls of the air, and look first to the lark (_alauda_),
drawing its very name, _a laude_, out of praise; see how with quivering
wing it mounts aloft, and with what clear note it praises God!
Aldrovandus says that he had been taught from childhood, that the lark
mounted seven times a day to sing hymns to its Creator, so that it sings
ascending, and singing soars.
“St. Francis was wont to call the larks his sisters, rejoicing in their
songs, which excited him to the praise of his Creator. Seven times a day
might we too chant our praise to God: first for our creation, which was
completed in seven days; then for our Redemption, which was perfected
by the seventh effusion of blood; thirdly, for the seven sacraments
instituted by Christ; fourthly, for the seven words uttered from the
Cross; fifthly, for the seven gifts of the Spirit shed on us from on
high; sixthly, for our preservation from the seven deadly sins, even
though the just man falleth seven times a day (Prov. xxiv.); and lastly,
for the seven sad and seven glorious mysteries of the Blessed Virgin Mary.
Public-domain text, read in full here on John Shaqi.
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