Post mortem: Essays, historical and medicalMacLaurin, C. (Charles)
History
Post mortem: Essays, historical and medical
MacLaurin, C. (Charles)
Biography; Pathology
THE EMPEROR CHARLES V 88
DON JOHN OF AUSTRIA, CERVANTES, AND DON QUIXOTE 114
PHILIP II; AND THE ARTERIO-SCLEROSIS OF STATESMEN 144
MR. AND MRS. PEPYS 157
EDWARD GIBBON 180
JEAN PAUL MARAT 191
NAPOLEON I 204
BENVENUTO CELLINI 226
DEATH 232
Illustrations
The Emperor Charles V _Frontispiece_
Mary Tudor _Face p._ 16
The Empress Theodora ” 72
Perseus and the Gorgon’s Head ” 228
The Case of Anne Boleyn
There is something Greek, something akin to Œdipus and Thyestes, in
the tragedy of Anne Boleyn. It is difficult to believe, as we read it,
that we are viewing the actions of real people subject to passions
violent indeed yet common to those of mankind, and not the creatures of
a nightmare. Yet I believe that the conduct of the three protagonists,
Henry, Catherine, and Anne, can all be explained if we appreciate the
facts and interpret them with the aid of a little medical knowledge
and insight. Let us search for this explanation. Needless to say we
shall not get it in the strongly Bowdlerized sketches that most of us
have learnt at school; it is a pity that such rubbish should be taught,
because this period is one of the most important in English history;
the actors played vital parts; and upon the drama that they played has
depended the history of England ever since.
In considering an historical drama one has to remember the curtain
of gauze which Time has drawn before us, and to allow for its colour
and density. In the case of Henry VIII and his time, though the
actual materials are enormous, yet everything has to be viewed
through an _odium theologicum_ that is unparalleled since the days of
Theodora. In the eyes of the Catholics, Henry was, if not the actual
devil incarnate, at all events the next thing; and their opinion has
survived among many people who ought to know better to the present day.
Decidedly we must make a great deal of allowance.
Public-domain text, read in full here on John Shaqi.
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