Post mortem: Essays, historical and medical — John Shaqi
Post mortem: Essays, historical and medicalMacLaurin, C. (Charles)
History
Post mortem: Essays, historical and medical
MacLaurin, C. (Charles)
Biography; Pathology
May I be allowed to give a vignette of Jeanne going to the
burning, compiled from the evidence of many onlookers given at the
Rehabilitation Trial? She assumed no martyresque imperturbability; she
did not hold her head high in the haughty belief that she was right
and the rest of the world wrong, as a martyr should properly do. She
wept bitterly as she walked to the fatal cart from the prison-doors;
her head was shaven; she wore woman’s dress; her face was swollen and
distorted, her eyes ran tears, her sobs shook her body, her wails moved
the hearts of the onlookers. The French wept for sympathy, the English
laughed for joy. It was a very human child who went to her death
on May 30th, 1431. She was nineteen years of age--according to some
accounts, twenty-one--and, unknown to herself, she had changed the face
of history.
The Empress Theodora
This famous woman has been the subject of one of the bitterest
controversies in history; and, while it is impossible to speak fully
about her, it is certain that she was a woman of remarkable beauty,
character, and historical position. For nearly a thousand years
after her death she was looked upon as an ordinary--if unusually
able--Byzantine princess, wife of Justinian the lawgiver, who was one
of the ablest of the later Roman Emperors; but in 1623 the manuscript
was discovered in the Vatican of a secret history, purporting to have
been written by Procopius, which threw a new and amazing light on her
career.
Procopius--or whoever wrote this most scurrilous history--states
that the great Empress in early youth was an actress, daughter of a
bear-keeper, and that she had sold tickets in the theatre; her youth
had been disgustingly profligate: he narrates a series of stories
concerning her which cannot be printed in modern English. The worst of
these go to show that she was an ordinary type of Oriental prostitute,
to whom the word “unnatural,” as applied to vice, had no meaning.
The least discreditable is that the girl who was to be Empress had
danced nearly naked on the stage--she is not the only girl who has done
this, and not on the stage either. She had not even the distinction
of being a good dancer, but acquired fame through the wild abandon
and indecency with which she performed. At about the age of twenty
she married--when she had already had a son--the grave and stately
Justinian: “the man who had never been young,” who was so great and
learned that it was well known that he could be seen of nights walking
about the streets carrying his head in a tray like John the Baptist.
When he fell a victim to Theodora’s wiles he was about forty years
of age. The marriage was bitterly opposed by his mother and aunts,
but they are said to have relented when they met her, and even had a
special law passed to legalize the marriage of the heir to the throne
with a woman of ignoble birth; and, after the death of Justin, Theodora
duly succeeded to the leadership of the proudest court in Europe. This
Public-domain text, read in full here on John Shaqi.
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