Tracing the feeling back to its origin, it seems due to this: minds of the lower order can never see anything go wrong without experiencing a certain sense of resentment; and resentment, by its very nature, desires to vent itself upon some living and sentient creature, by preference a fellow human being. When the child, running too fast, falls and hurts itself, it gets instantly angry. "Naughty ground to hurt baby!" says the nurse: "Baby hit it and hurt it." And baby promptly hits it back, with vicious little fist, feeling every desire to revenge itself. By-and-by, when baby grows older and learns that the ground can't feel to speak of, he wants to put the blame upon somebody else, in order to have an object to expend his rage upon. "You pushed me down!" he says to his playmate, and straightway proceeds to punch his playmate's head for it--not because he really believes the playmate did it, but because he feels he _must_ have some outlet for his resentment. When once resentment is roused, it will expend its force on anything that turns up handy, as the man who has quarrelled with his wife about a question of a bonnet, will kick his dog for trying to follow him to the club as he leaves her. The mob, enraged at the death of Caesar, meets Cinna the poet in the streets of Rome. "Your name, sir?" inquires the Third Citizen. "Truly, my name is Cinna," says the unsuspecting author. "Tear him to pieces!" cries the mob; "he's a conspirator!" "I am Cinna the poet," pleads the unhappy man; "I am not Cinna the conspirator!" But the mob does not heed such delicate distinctions at such a moment. "Tear him for his bad verses!" it cries impartially. "Tear him for his bad verses!"