Art; English literature -- History and criticism; Literature -- History and criticism
Though five editions of the "Essais" were printed during their author's
life--1580 and 1582 at Bordeaux, 1584 (probably) and 1587 at Paris, 1588
at Bordeaux--to critics in search of dramatic spiritual changes a
comparative study will afford but meagre sport. To be sure, the editions
of '84 and '87 were nothing more than what we should now call reprints;
but the edition of 1588, of which "L'Exemplaire de Bordeaux" is a copy,
represents so thorough an overhauling and so generous an enlarging of
the old book that some have been tempted to reckon it a new one. Yet,
though it garners the fruit of eight fertile years of travel and public
service, it reveals no startling change in the outlook, nor in what is
more important, the insight, of its author. We need feel no surprise.
Had Montaigne been the sort of man whose views and sentiments are
profoundly affected by travel or office, he would not have been the
object of that cult of which the three volumes before us are the latest,
and perhaps the most significant, monument. That is a peculiar man whose
crossings and dottings and deletions are judged worthy of photographic
record by the authorities of a great industrial city.
Montaigne was thoroughly normal, not to say commonplace, in his ability
to pass through foreign countries without suffering anything so alarming
as a conversion. He left home on his travels in Germany, Switzerland,
and Italy, a learned and extremely intelligent man of affairs, who had
taken, rather late in life perhaps, to playing the part of a French
country gentleman; he returned with a store of acute observations and
pleasant anecdotes, a little older, a little mellower, otherwise
unchanged. Of those magically expanded views, those sudden yawnings of
sympathetic depths, that nowadays every one may count on winning, if not
by a week in Brittany, at any rate by a month in Manitoba, we find
scarcely a trace. In the sixteenth century that sort of thing was
unusual. Even in those days there were people of extraordinary
sensibility for whom life was a succession of miracles, who with
difficulty recognized themselves from year to year, to whom going abroad
was an emotional adventure, a supreme revelation: but of these Montaigne
was not one. Him, like some others, change seems merely to have
confirmed in his native predispositions and prejudices. As he grew older
he grew vainer, rather more garrulous, fonder of his favourite authors,
and a little less open-minded; and his travels were nothing more than a
long and agreeable stage on the longest journey. There are people for
whom travel provides nothing but supplementary evidence in a cause that
has already been judged. Those who can find nothing good at home will
smack their lips over the sourest wines abroad; and "Old Meynell" need
not have left his garden to arrive at that conclusion commended by Dr.
Johnson: "For anything I see, foreigners are fools." Montaigne was not
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