Art; English literature -- History and criticism; Literature -- History and criticism
In the circumstances, our interest tends to centre on the biographical
parts of both works. For both are biographical: only Mr. Freeman, who
claims attention for judgment rather than for learning, has been at less
pains to sift and record the minute evidence that contemporary
literature and journalism afford. Fresh evidence, in the shape of
letters and memoirs, may, of course, be brought forward; until then
these two volumes will be final. So far as external evidence goes, the
student is now in possession of all that is known about the author of
"Headlong Hall."
It is surprising that Mr. Freeman's tact did not rescue him from the
temptation into which Mr. Van Doren's industry led him inevitably--the
temptation of finding in Peacock's mature work definable traces of
childish memories and impressions. Still more surprising is it that,
when both have quoted much that is worthless, neither should have
printed the one significant document amongst the surviving fragments of
his boyhood. This is a letter in verse to his mother, which not only
gives promise of the songs that, above all else, have made their author
famous, but is also worth quoting for its peculiar charm and fancy.
Unless we mistake, it has only once been printed, and is hardly known to
the literary public, so here it is:
Dear Mother,
I attempt to write you a letter
In verse, tho' in prose I could do it much better;
The Muse, this cold weather, sleeps up at Parnassus,
And leaves us poor poets as stupid as asses.
She'll tarry still longer, if she has a warm chamber,
A store of old massie, ambrosia, and amber.
Dear mother, don't laugh, you may think she is tipsy
And I, if a poet, must drink like a gipsy.
Suppose I should borrow the horse of Jack Stenton--
A finer ridden beast no muse ever went on--
Pegasus' fleet wings perhaps now are frozen,
I'll send her old Stenton's, I know I've well chosen;
Be it frost, be it thaw, the horse can well canter;
The sight of the beast cannot help to enchant her.
All the boys at our school are well, tho' yet many
Are suffered, at home, to suck eggs with their granny.
"To-morrow," says daddy, "you must go, my dear Billy,
To Englefield House; do not cry, you are silly."
Says the mother, all dressed in silk and in satin,
"Don't cram the poor boy with your Greek and your Latin,
I'll have him a little longer before mine own eyes,
To nurse him and feed him with tarts and mince-pies;
We'll send him to school when the weather is warmer;
Come kiss me, my pretty, my sweet little charmer!"
But now I must banish all fun and all folly,
So doleful's the news I am going to tell ye:
Poor Wade, my schoolfellow, lies low in the gravel,
One month ere fifteen put an end to his travel;
Harmless and mild, and remark'd for good nature;
The cause of his death was his overgrown stature:
Public-domain text, read in full here on John Shaqi.
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