Art; English literature -- History and criticism; Literature -- History and criticism
To think of Peacock's youth is to think of his relations with Shelley.
He seems to have given more than he received: his nature was not
receptive. He made the poet read Greek, and persuaded him that he was
not infected with elephantiasis by quoting Lucretius "to the effect that
the disease was known to exist on the banks of the Nile, _neque praeterea
usquam_." These words were "the greatest comfort to Shelley." The two
young men did a vast amount of walking, arguing, and miscellaneous
reading together, in which Peacock, partly from conviction and partly
from affectation, seems to have been pretty consistent in performing the
office of a wet blanket. Testing his intellect on other people's
enthusiasms, falling sedately and whimsically in love with various
ladies, amongst them his future wife, but keeping such feelings as he
had for the most part to himself, Peacock slipped through all the
critical stages of youth till in 1816 he published "Headlong Hall."
Brains will not make a poet, but they made a superb satirist.
There is nothing to puzzle us in Peacock's accepting a post under the
East India Company. An unusually strong inclination toward Miss Jane
Gryffydh, his "milk-white Snowdonian Antelope" as Shelley calls her,
whom he had not seen for more than eight years, and to whom he became
engaged without further inspection, may possibly have counted for
something in his decision. But the obvious explanation is that a man who
lives by the head needs regular employment, and only he who lives by the
emotions has anything to lose by it. Peacock's feelings were not so fine
that routine could blunt them, nor so deep that an expression of them
could give a satisfactory purpose to life. He entered the Company's
service at the age of four-and-thirty; he found in it congenial friends,
congenial employment, and a salary that enabled him to indulge his
rather luxurious tastes. He kept chambers in London, a house on the
Thames, a good cellar we may be sure, and a wife. Of this part of his
life we know little beyond the fact that he was an able and industrious
official. Probably, we shall not be far wrong in supposing him to have
been much like other officials, only more intelligent, more witty, more
sceptical, more learned, and more "cranky": also he kept stored
somewhere at the back of his mind a spark of that mysterious thing
called genius. At any rate, his recorded opinion, "There has never been
anything perfect under the sun except the compositions of Mozart,"
smacks strongly of classical concerts and the Treasury.
Public-domain text, read in full here on John Shaqi.
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