England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Journalists -- Fiction
Of course, nearly all the rest of that crowd at Jane's wedding was
carrying on as if Christianity weren't there without the least trouble or
struggle. They were quite right; it wasn't there. Nothing was there, for
most of them, but self-interest and personal desire. We were, the lot of
us, out to make--to grab and keep and enjoy. Nothing else counted. What
could Christianity do, a frail, tilting, crusading St. George, up against
the monster dragon Grab, who held us all in his coils? It's no use,
Jukie; it never was and never will be any use.
I suddenly grew very tired of that party. It seemed a monster meeting of
Potterites at play--mediocrity, second-rateness, humbug, muddle, cant,
cheap stunts--the room was full of it all.
I went across to Jane to say good-bye. I had scarcely spoken to her yet.
I had never congratulated her on her engagement, but Jane wouldn't mind
about that or expect me to.
All I could say now was, 'I'm afraid I've got to get back. I've some
work waiting.'
She said, 'Is it any use my sending you anything for the _Fact_?
'From the enemy's camp?' I smiled at her. She smiled too.
'I've not ratted, you know. I'm still an A.P. I shall come on the next
tour of investigation, whenever that is.'
'Shall you write for the _Haste_?' I asked her.
'Sometimes, I expect. Oliver says he can get me some of the reviewing.
And occasional non-controversial articles. But I don't want to be tied up
with it; I want to write for other papers too.... You take Johnny's
poetry, I observe.'
'Sometimes. That's Peacock's fault, not mine. ... Send along anything
you think may suit, by all means, and we'll consider it. You'll most
likely get it back--if you remember to enclose a stamped envelope.
... Good-night, and thank you for asking me to your party.
Good-night, Hobart.'
I said good-bye to Lady Pinkerton, and went back to the _Fact_ office,
for it was press night.
So Jane got married.
CHAPTER II
DINING WITH THE HOBARTS
1
Public-domain text, read in full here on John Shaqi.
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