England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Journalists -- Fiction
So did his wife. She was pink-faced and not ill-looking, with the cold
blue eyes and rather set mouth possessed (inexplicably) by many writers
of fiction. If I have conveyed the impression that Leila Yorke was in
the lowest division of this class, I have done her less than justice;
quite a number of novelists were worse. This was not much satisfaction
to her children. Jane said, 'If you do that sort of thing at all, you
might as well make a job of it, and sell a million copies. I'd rather
be Mrs. Barclay or Ethel Dell or Charles Garvice or Gene Stratton
Porter or Ruby Ayres than mother. Mother's merely commonplace; she's
not even a by-word--quite. I admire dad more. Dad anyhow gets there.
His stuff sells.'
Mrs. Potter's novels, as a matter of fact, sold quite creditably. They
were pleasant to many, readable by more, and quite unmarred by any
spark of cleverness, flash of wit, or morbid taint of philosophy.
Gently and unsurprisingly she wrote of life and love as she believed
these two things to be, and found a home in the hearts of many
fellow-believers. She bored no one who read her, because she could be
relied on to give them what they hoped to find--and of how few of us,
alas, can this be said! And--she used to say it was because she was a
mother--her books were safe for the youngest _jeune fille_, and in
these days (even in those days it was so) of loose morality and frank
realism, how important this is.
'I hope I am as modern as any one,' Mrs. Potter would say, 'but I see no
call to be indecent.'
So many writers do see, or rather hear, this call, and obey it
faithfully, that many a parent was grateful to Leila Yorke. (It is only
fair to record here that in the year 1918 she heard it herself, and
became a psychoanalyst. But the time for this was not yet.)
On her right sat her eldest son, Frank, who was a curate in Pimlico. In
Frank's face, which was sharp and thin, like his father's, were the
marks of some conflict which his father's did not know. You somehow felt
that each of the other Potters had one aim, and that Frank had, or,
anyhow, felt that he ought to have, another besides, however feebly he
aimed at it.
Next him sat his young wife, who had, again, only the one. She was pretty
and jolly and brunette, and twisted Frank round her fingers.
Beyond her sat Clare, the eldest daughter, and the daughter at home. She
read her mother's novels, and her father's papers, and saw no harm in
either. She thought the twins perverse and conceited, which came from
being clever at school and college. Clare had never been clever at
anything but domestic jobs and needlework. She was a nice, pretty girl,
and expected to marry. She snubbed Jane, and Jane, in her irritating and
nonchalant way, was rude to her.
Public-domain text, read in full here on John Shaqi.
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