Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
[Illustration: _The Crown._]
The first, the crest of the palatinate, was used from 1755 to 1761.
PH combined, sometimes found on this porcelain, marks the work of
Hannong.
The crown, with the letters C. T. (Carl Theodor), indicates the late
period from 1762 to 1798.
FÜRSTENBURG (OR BRUNSWICK) PORCELAIN.--The interest excited by the
production of porcelain at Dresden, Vienna, and Höchst, inspired many
of the rulers of states with a desire to establish manufactories of the
beautiful wares in their own dominions; among whom was Charles, Duke of
Brunswick (1750). One of the Höchst workmen was secured to superintend
the works at Fürstenburg; but he soon died, when Baron von Lang was
placed in charge. He was an accomplished chemist, and his skill, with
the funds put at his disposal by the duke, enabled him to produce work
equal in decoration to that at Dresden, though the paste is not
considered so fine. Fine vases, groups, and dinner and tea services,
were the result, which are now much prized.
At the Bernal sale a Fürstenburg cup, cover, and stand, painted with
flowers and surmounted by a flame, sold for six pounds ten shillings
sterling (thirty-two dollars).
The mark is a cursive letter _F_ more or less rudely done in blue.
[Illustration: FIG. 132.--_Fürstenberg._]
In Fig. 132 is seen a basket from Mr. Wales's collection, made at
Fürstenburg, which is carefully modeled, though it bears very little
decoration.
NYMPHENBURG, in Bavaria, had a small porcelain-manufactory as early as
1746 or 1747, but it seems to have had only a fitful and uncertain
existence until after the death of Carl Theodor, when the Frankenthal
workmen were taken to Nymphenburg, carrying with them skill, taste, and
knowledge. The manufactory received many favors, and much good work was
done. Among the known artists employed were Heintzmann, who painted
landscapes; Adler, who did the figures; and Lindemann. Some of the white
pieces made at Nymphenburg bear the impressed stamp of the factory, and
painters' marks also, when decorated outside the walls of the
manufactory.
The establishment is said to be still in existence. Nymphenburg was once
a royal palace, a few miles from Munich.
At the Bernal sale some pieces sold as follows:
A Nymphenburg basin with an elaborate painting of a
battle, in Indian-ink £10 $50 00
A cup and saucer with figures, in Indian-ink and
gold 2 10 00
A basin with figures and scrolls, in Indian-ink and
gold 2 12_s._ 6_d._ 13 00
A basin with medallions in Indian-ink, figures in colors,
and gold scrolls 14 70 00
A basin with three landscapes 4 20 00
The marks of the Nymphenburg are--
[Illustration: _The shield of the arms of Bavaria. A section of this was
sometimes used._]
Public-domain text, read in full here on John Shaqi.
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