It is quite clear that those things which imitated what other nations did, sold best at that time in England; and this, more than poverty of invention, we may suppose induced those excellent English artists to copy rather than create. Chaffers mentions the following as the most noted painters at Worcester: Pennington, figures; Astle, flowers; Davis, exotic birds; Webster, landscapes and flowers; Barber, shells; Brewer, landscapes; Baxter, Lowe, and Cole, figure-subjects; Billingsly, flowers. [Illustration: FIG. 151.--_Royal Worcester Porcelain._] Printing in black upon the porcelain was practised at Worcester to a considerable extent; and mugs with pictures of Frederick the Great seem to have been popular at that day, and are much sought for now. The portraits of George II. and III. were also in demand, as well as many others. The flower-painting upon this, as upon all other European porcelain, was naturalistic--copied, as nearly as possible, from Nature. Good as much of it is beyond question, it fails to give to most persons the gratification which comes from the Oriental treatment. The last is decoration, the first is imitation. [Illustration: FIG. 152.--_Worcester and Spode Porcelain._] The rich dark blues, lighted up with much gilding, is a characteristic of some of the best Worcester work, as well as that made at Derby. Without reaching the fine translucency of the Dresden and Sèvres paste or body, that at Worcester was a great advance upon the other English factories, inasmuch as it was strong and durable; and the glaze was also better; it did not "_craze_"--shoot into cracks--like much of that made at Derby. In 1783 the works went into the possession of the Messrs. Flight. In 1793 they were carried on by Flight and Barr. In 1840 they were controlled by Chamberlain; and at the present time (1876) they are in charge of Mr. K. W. Binns, who employs a great force, and produces much excellent work, and some which may be called exquisite. His imitations of Limoges enamels and Chinese ivory-work are perfect; as it seems to me, quite too good. I should like to see such perfection applied to genuine work and to original design. He has also made a specialty of reproducing curious examples of Japanese, Chinese, and Corean porcelain, sometimes identically and sometimes in modified forms. We engrave (Fig. 151) a fine example of the latter from the collection of Messrs. Tiffany and Company, of New York. Among our illustrations (see Fig. 148) are two plates containing portraits of Sir Isaac Newton and Albert Dürer. The colors are red, brown, and gold; also a teacup and saucer, most delightfully and richly painted. These are in the possession of G. W. Wales, Esq., of Boston. In Fig. 152 is a teapot in rich blue and gold, part of a set belonging to Mr. W. C. Prime. This has the mark + of Bristol, but, as it is soft paste, it is probably Worcester. Marks of Worcester porcelain: [Illustration: _Worcester crescent (1755)._]