Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
AMSTEL (_Oude_), near Amsterdam, made the next essay (1782), and
produced good porcelain; but it could not hold its own against that
which the English were now sending forth into the markets of the
world--patriotism was not equal to cope with cheapness.
The mark was the letters A and D combined, in script.
At NEW AMSTEL, nearer to Amsterdam, the attempt was also made, which
continued through 1808 to 1810, when it too died. The mark here was also
in script.
Marks used at Amsterdam:
[Illustration]
[Illustration: FIG. 158.--_Porcelain of The Hague._]
At THE HAGUE, about 1775, both hard and soft porcelain was made, and of
great excellence. More was done here than at Amsterdam, and the work was
of superior quality. Some of the painting was excellent--equal to that
done at Dresden. Tea and dinner services of great beauty were made,
which are now and then to be bought in Europe. The examples shown in
Fig. 158 are a plate, and cup and saucer, from Mr. Wales's collection.
The mark was a stork holding a fish, the symbol of the town.
[Illustration]
At LILLE (SOFT PORCELAIN), Sieurs Dorez and Pelissier, uncle and nephew,
were granted privileges for making porcelain as early as 1711, and this
with that at St.-Cloud were the only factories at that time in Europe.
But little is known of this ware, except that it resembled that made at
St.-Cloud, and that it had no distinctive mark. Hard porcelain was
afterward made there (1784) by one Durot, which showed great excellence,
the decoration being mostly flowers and gold. These pieces are quite
rare.
The mark was a crowned dolphin.
[Illustration]
At TOURNAY (DOORNICK) soft-paste porcelain was made in 1750, and a very
large business was done at one time, as many as two hundred workmen
being employed in 1762. Chaffers says this factory is still at work, and
that _pâte tendre_ is still made there, which is in close imitation of
that once made at Sèvres.
The mark of the tower is sometimes referred to Tournay, and sometimes to
the porcelain made at Vincennes. It is in doubt. The other mark in gold
indicates best; in blue or red, second-best. The marks "To" and "Ty" are
supposed to be old marks of Tournay.
The marks used:
[Illustration]
SWEDEN.--That the coldest and most savage country of Europe should be
rich in anything except men and women is strange. And is it? According
to the standards of England or America, we may say, No. And yet
travelers tell us that in the towns and on the country estates are
houses rich with works of art, and filled with books. So far as these go
they indicate wealth and leisure. But the best sign of a prosperous
people is not pictures; neither is it books. Is it not that more than
one-half her people own their lands and raise the food they eat? Is it
not that the greedy cormorant called "Trade" has not shut up most of her
people in those Bastiles called factories, and thus degraded body and
soul to the verge of, if not into, the gulf of pauperism and vice?
Public-domain text, read in full here on John Shaqi.
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