Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
DOULTON STONE-WARE.--On the other hand has sprung up at Lambeth,
England, in the potteries of the Doultons, stone-ware which is true,
original, artistic, and delightful. This is the same paste as the
[Illustration: FIG. 58.--_Doulton Ware._]
_grès_; but, instead of imitating that, a scale and a variety of colors
have been developed which the old _grès_ could not at all touch. By
means of thousands of experiments and much scientific knowledge, colors
have been found which will bear the heat, and some of the results
attained there of color alone are gratifying.
No pains or cost have been spared by the Messrs. Doulton to bring about
the best work. Artists have been employed--indeed, have been created--to
invent and to bring forth works novel in design and color; and they have
done it. We cannot but welcome their work with open hands and open
hearts; and we have reason to believe that the public has welcomed it
with open purses. A very fine exhibition of this work was made at the
United States Centennial Festival at Philadelphia, which attracted much
and deserved praise. Among the artists early engaged were some ladies
named Barlow, I think, who did excellent work. One of them etched in the
wet clay groups of animals which were spirited and fascinating; the
other, I believe, did flowers and plants. These ladies went to _work_,
and thus solved the "woman question," so far as it concerned themselves.
Their work was much valued by collectors as far back as five or six
years.
Besides this style, many decorated vases, bottles, jugs, cups, etc.,
etc., have been made, of which examples will be seen in our illustration
(Fig. 58).
Not only have great variety and beauty of form been reached, but the
methods of decoration are equally varied. One of the most elaborate is
in the use of beads in lines or singly, so as to produce a jeweled
effect, often very brilliant and very finished; this is in danger of
being carried to excess.
So many pieces of their work have been brought to the United States,
that those interested can see them for themselves, and will need no
further description.
EARLY GERMAN GLAZED POTTERY.--Before leaving this subject a few words
may be said upon the early German work in pottery.
Public-domain text, read in full here on John Shaqi.
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