But, in the way of earthen-ware, nothing in the French or English exhibits is at all equal to the vases, bottles, etc., shown by Haviland, from Limoges. These, we were told frankly and with all desire to [Illustration: FIG. 87.--_Limoges Faience._] give the artists their due share, were modeled by Lindencher and painted by Lafon (we hope we have their names right). The forms of the pots and the relief-modelings are bold, unconventional, and excellent. The artist has studied Nature, and art also, but not to copy. This is true too of Lafon, whose lavish and daring use of color is remarkable. Nothing is niggled or petty, as in this kind of work nothing should be. As examples of real art, they are equal to the best work of China and Japan; and a true man would wish rather a hundred such vases as the Pennsylvania Industrial Museum has bought, than one of those great vases from Sèvres which stand in the French picture-gallery. This is the same kind of art-work which for a few years has been done by Chapelet and a little band of artists near Paris, some of which has been brought to Boston by the Household Art Company, and has had a tedious sale. These painters are artists in color. Bold and strange as the work is, nothing is glaring, showy, bright, or flashy; throughout there is that reserve which indicates strength and creates confidence. I give also some illustrations of their work, which in a faint degree exhibit its excellence. The color cannot be expressed (Figs. 86 and 87). DECK, of Paris, should not be forgotten. I believe he is an Alsatian; he, his brother, and sister, are all fine specimens of the German-French; they have been at work since 1859 in producing some of the most beautiful things to be made; and the work done there now sells at high prices. T. Deck is himself an artist; but many others are engaged there in making flower, figure, and other paintings. Their exhibitions at London have attracted much attention, and their productions have been quickly sold. No doubt other artists are to-day engaged at Paris in this fascinating work, which is attracting so much attention, and feeding well the desire for the useful and the beautiful. Great establishments, with hundreds of workmen, are now in full activity at _Nevers_, at _Gien_, at _Nancy_, producing wares at low prices, which have much merit, and for every-day uses are good. Mostly they follow the old designs, and attempt little else. As they do not pretend that these are anything more than that, and as the prices are very reasonable, they reach a great sale. CHAPTER IX. DUTCH DELFT AND ENGLISH EARTHEN-WARE.