Poverty Point: A Culture of the Lower Mississippi Valley — John Shaqi
Poverty Point: A Culture of the Lower Mississippi ValleyGibson, Jon L.
History
Poverty Point: A Culture of the Lower Mississippi Valley
Gibson, Jon L.
Poverty Point culture
There was evidently no standard architectural arrangement involving
mounds and ridges, but semicircular patterns occurred most often. The
largest example is at the giant Poverty Point town (Figure 3). Linear
plans were also used, and some sites show no recognizable designs. These
various arrangements have been said to reflect everything from
astronomical observatories to possible “fortresses.”
Of all the similarities and differences among territorial settlement
patterns, several things stand out. Villages in each province ranged
from small to large and from simple to complex, and every province had
one village that stood apart from all the rest. This main village was
probably the regional “capital.” Such an arrangement also seems
applicable to the provinces themselves. They, like the villages within
their bounds, can be ranked in importance according to the intensity of
interaction with the major province. Lest there be any doubt, that
supreme province lay along the Macon Ridge-Upper Tensas lowlands in
extreme northeastern Louisiana. Its “capital” was the great town of
Poverty Point. Because of its dominating influence, this magnificent
town will be described in detail.
[Illustration: Figure 3. Reconstruction of the Central District of
the Poverty Point Site about 1000 B.C.]
It was first reported by Samuel Lockett in 1873 and was visited many
times afterwards. However, it was during excavations, sponsored by the
American Museum of Natural History in the early 1950s, that its true
nature came to be realized (Ford and Webb 1956). From aerial photographs
came the startling realization—Poverty Point was a giant earthwork. It
was so large that the bumps and ridges, apparent from a ground-level
view, were once thought to be natural. The symmetrical geometry revealed
on the photographs, however, led everyone to believe that it had been
built from a “blueprint” in a single, all-out construction effort. Its
great size, coupled with the millions of artifacts scattered over and in
the artificial constructions, gave the impression that it was home for
literally thousands and a magnet for multitudes of visitors. Even though
new information has begun to change some of these ideas, it has not
diminished the massiveness of the engineering feat or appreciation for
the collective spirit of those long-ago builders whose vision and toil
is represented there.
Public-domain text, read in full here on John Shaqi.
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