If this be a correct account of the meaning of those great masterpieces which may every day be performed in the ears of the people, it is easy to see how they may be made to serve the purpose in view. The greatest master is a man with much in him akin to the lowest of the human race. The homage all pay to the great is but the assertion of this kinship, the assertion of men’s claim to be like the great when the obstructions of their mal-formation and mal-education shall be trained away. Men generally will, therefore, find in that which expresses the thoughts of the greatest the means of expressing their own thoughts. The music which enfolds the passions that have never found utterance, that have never been realized by the ordinary man, will somehow appeal to him and make him recognize his true self and his true object. Music being itself the expression of the wants of man, all who share in man’s nature will find in it an expression for longings and visions for which no words are adequate. It will be what prayers and meditations now so often fail to be, a means of linking men with the source of the highest thoughts and efforts, and of enabling them to enjoy God, a joy which so few now understand. More than this, the best existing expression of that which men have found to be good has been by parables, whose meanings have not been limited to time or place but are of universal application. Heard by different people and at different times, parables have given to all alike a conception of that which eye cannot see nor voice utter; each hearer in each age has gained possibly a different conception, but in the use of the same words all have felt themselves to be united. The parable of the prodigal son has represented the God who has been won to love by the sacrifice of Christ and also the God who freely forgives. Such forms of expression it is most important to have in an age when movement is so rapid that things become old as soon as they are new, separating to-morrow those who have stood together to-day, and when at the same time the longing for unity is so powerful that the thought of it acts as a charm on men’s minds. In some degree all art is a parable, as it makes known in a figure that which is unknown, revealing the truth the artist has felt to others just in so far as they by education and surroundings have been qualified to understand it. Titian’s picture of the Assumption helped the mediæval saint to worship better the Virgin Mother, and also helps those of our day to realize the true glory of womanhood.