3. In the use of higher powers see that the tube is drawn out to
the proper length, as indicated in the directions sent with the
instrument.
4. For pathologic work an Abbé condenser is essential. It should be
pushed up to its proper position beneath the stage, and the plane
mirror should be used with it, reflecting the light from a cloud if
possible. Daylight is always the best light. When this cannot be
obtained an incandescent or Welsbach lamp with ground-glass globe
can be used. The concave mirror should then be used. The yellowish
tint of artificial light may be avoided by the use of a piece of blue
glass placed beneath the condenser, or a vessel of copper sulphate
solution may be interposed. Especial lamps designed to meet the
requirements are offered by the trade.
5. The iris-diaphragm should be adjusted by the same hand that moves
the slide, usually the left one. With unstained preparations the
diaphragm should be nearly closed; when using the oil-immersion it
should be fully opened, as is also the case when stained preparations
are studied with the lower power. With higher magnification the
aperture is diminished somewhat, although color-effects are best
shown with open diaphragm. In the study of pigments the diaphragm
should be fully closed for a few moments to see if the pigment
shows any color by reflected light. It is then examined by open
diaphragm. In the study of sections the mirror and diaphragm should
be manipulated in various ways to bring out all of the detail of the
preparation, and should be adjusted to suit each preparation.
6. Objectives must never be screwed down until they strike the slide
or stage. The higher-powers are frequently ruined in this way. When
running the objective down always examine from the side to see that
there is no danger of its striking the stage. In the use of the
oil-immersion place the drop of oil upon the slide or cover-glass,
and lower the objective by turning the coarse adjustment until the
oil spreads out between the lens and the glass; then focus with
the fine adjustment until a well-defined field is obtained. The
oil-immersion lens should not be allowed to stand many consecutive
hours in the oil. The oil should be cleaned from the lens by wiping
the latter with lens-paper or a soft cloth; if the lens is sticky the
paper or cloth may be moistened with benzol. The lens itself should
never be _wet_ with benzol, xylol, alcohol or any cleaning-fluid,
because of the danger of softening the balsam in which the lenses are
imbedded.
Public-domain text, read in full here on John Shaqi.
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