As she came in sight, their dusty and sweaty shirts grew biting as the
poisoned shirt of the Norse myth, their bare feet in the brown dirt grew
distressingly flat and hoof-like, and their huge, dirty, brown, chapped
and swollen hands grew so repulsive that the mere remote possibility of
some time in the far future standing a chance of having an introduction
to her caused them to wipe their palms on their trousers' legs
stealthily.
Lycurgus Banks swore when he saw Radbourn. "That cuss thinks he's ol'
hell this morning. He don't earn his living. But he's just the kind of
cuss to get holt of all the purty girls."
Others gazed with simple, sad wistfulness upon the slender figure, pale,
sweet face, and dark eyes of the young girl, feeling that to have talk
with such a fairy-like creature was a happiness too great to ever be
their lot. And when she had passed they went back to work with a sigh
and feeling of loss.
As for Lily, she felt a pang of pity for these people. She looked at
this peculiar form of poverty and hardship much as the fragile, tender
girl of the city looks upon the men laying a gas-main in the streets.
She felt, sympathetically, the heat and grime, and, though but the
faintest idea of what it meant to wear such clothing came to her, she
shuddered. Her eyes had been opened to these things by Radbourn, a
class-mate at the Seminary.
The young fellow knew that Lily was in love with him, and he made
distinct effort to keep the talk upon impersonal subjects. He liked her
very much, probably because she listened so well.
"Poor fellows," sighed Lily, almost unconsciously. "I hate to see them
working there in the dirt and hot sun. It seems a hopeless sort of life,
doesn't it?"
"Oh, but this is the most beautiful part of the year," said Radbourn.
"Think of them in the mud, in the sleet; think of them husking corn in
the snow, a bitter wind blowing; think of them a month later in the
harvest; think of them imprisoned here in winter!"
"Yes, it's dreadful! But I never felt it so keenly before. You have
opened my eyes to it. Of course, I've been on a farm, but not to live
there."
"Writers and orators have lied so long about 'the idyllic' in farm life,
and said so much about the 'independent American farmer,' that he
himself has remained blind to the fact that he's one of the
hardest-working and poorest-paid men in America. See the houses they
live in--hovels."
"Yes, yes, I know," said Lily; a look of deeper pain swept over her
face. "And the fate of the poor women; oh, the fate of the women!"
Public-domain text, read in full here on John Shaqi.
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