English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
This means, "A man like me cannot afford to degrade himself by showing
what he feels under such circumstances; a man like me cannot say to a
woman, 'I am greatly vexed and pained when I see you smile at any one
except myself.' If I were to speak to her about the matter at all, she
might think I was jealous. Of course she would insult me by making
excuses, by saying that she did not know, which would be nothing less
than daring to oppose her judgment to mine. To speak about my feelings
in any case would require a skill in the use of language such as only
poets or such vulgar people possess. I am a prince, not a poet, and I
shall never disgrace myself by telling anybody, especially a woman,
that I do not like this or I do not like that. So I said nothing.
Perhaps you think that she did not smile when she saw me. That would be
a mistake; she always smiled when I passed. But she smiled at everybody
else in exactly the same way." He found the smile unbearable at last,
and the poet lets him tell us the rest in a very few words:
This grew; I gave commands;
Then all smiles stopped together.
In other words, he caused her to be killed; told somebody to cut her
throat, probably, or to give her a drink of poison, all without having
ever allowed her to know how or why he had been displeased with her.
And he is not a bit sorry. No, looking at the dead woman's picture, in
company with the marriage-maker, he coolly expresses his admiration
for it as a word of realistic art--as much as to say, "You can see
for yourself how beautiful she was; but that did not prevent me from
killing her." Listen to his atrocious chatter:
There she stands
As if alive. Will't please you rise? Well meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay, we'll go
Together down, sir.... Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!
Evidently both had seated themselves in front of the picture. The count
says, "Now she is as if alive; and we shall go downstairs together.
As for the matter of the new marriage, you can tell your master that
I am quite sure so generous a man will not make any objection to my
just demands for a dowry--though, of course, it is his daughter that
I principally want." Here the messenger bows, to allow the duke to go
first downstairs. He answers: "No, we can go down together this time."
On the way, probably at a turn of the grand staircase, the count points
to a fine bronze statue, representing the god of the sea, and asks the
man to admire it. That is all.
Public-domain text, read in full here on John Shaqi.
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