English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
This is a Renaissance character, and a very terrible one. But it is
also very complicated. We must think a little before we can even guess
the whole range and depth of this man's wickedness. Even then we can
only guess, because he lets us know only so much about him as he wishes
us to know. Every word that he says is carefully measured in its pride,
in its falsehood, in its cruelty, in its cunning. Just this much he
tells us: "I had a beautiful wife, but you must not think that I can
be influenced by beauty. Look at the picture of her. You would worship
a woman like that. But I cut her throat. Why did I do it? Just because
I did not like her way of smiling; she was too tender-hearted to love.
And I would do the same thing to-morrow to any one who displeased me.
Some people will think that I am jealous; let them think so. But you
had better tell the girl who now expects to become my wife what kind of
person I am."
How much of this is the truth? Probably more than half. Undoubtedly
the man was jealous, and he wishes to deceive us in regard to the
whole extent of that jealousy. He has no shame or remorse for crime,
but he has shame of appearing to be weak. Jealousy is a weakness;
therefore he does not like to be suspected of being weak in that way.
He gives a strong suggestion, that he must not have future cause for
jealousy--nothing more. But the fact that he most wishes to have
understood is that his wife must be a wicked woman, a vulture among
vultures. He does not want a dove. And he hated his first wife much
more because she was good and gentle and loving, than because she
smiled at other people. You may ask, why should he hate a woman for
being good? The answer is simple. In the courts of such princes as the
Borgias, a good woman could only do mischief. She could not be used for
cunning and wicked purposes. She would have refused to poison a guest,
or to entice a man to make love to her only in order to get that man
killed; and as you will discover if you read the terrible history of
the Italian republics, all these things had to be done. Morality was
a hindrance to such men. Power remained only to cunning and strength;
all kind-heartedness was regarded as criminal weakness. When you have
become familiar with the real history of Ferrara, you will perceive the
terrible truth of this poem.
Public-domain text, read in full here on John Shaqi.
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