English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
With a start
Up Godmar rose, thrust them apart;
From Robert's throat he loosed the bands
Of silk and mail; with empty hands
Held out, she stood and gazed, and saw
The long bright blade without a flaw
Glide out from Godmar's sheath, his hand
In Robert's hair; she saw him bend
Back Robert's head; she saw him send
The thin steel down; the blow told well,
Right backward the knight Robert fell,
And moaned as dogs do, being half dead,
Unwittingly, as I deem: so then
Godmar turn'd grinning to his men,
Who ran, some five or six, and beat
His head to pieces at her feet.
The knight groans involuntarily, in the death struggle only, and
probably the sound of his pain pleases Godmar, but in order to make
sure that he cannot recover again, he makes a sign to his followers to
finish the work of murder; so they beat in his skull--an ugly thing for
a woman to see done. There were rough-hearted men in those days who
could see a woman burned alive and laugh at her suffering. You have
read, I think, the terrible story about Black Fulk, who made a great
holiday on the occasion of burning his young wife alive, and took his
friends to see the show, himself putting on his best holiday attire.
This Godmar seems to be nearly as harsh a brute, judging from what he
next has to say.
Then Godmar turn'd again and said:
"So, Jehane, the first fitte is read!
Take note, my lady, that your way
Lies backward to the Chatelet!"
She shook her head and gazed awhile
At her cold hands with rueful smile,
As though this thing had made her mad.
This was the parting that they had
Beside the haystack in the floods.
Public-domain text, read in full here on John Shaqi.
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