English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
A great deal is said in these lines by the use of suggestive words
and words of symbolism. Paraphrased these verses mean much more. "No
matter how much all other people showed their love and admiration for
Sigurd by making festival and public rejoicing, feeling happier and
better for having seen him, all their affection was as nothing to the
love that Gudrun secretly felt for him, out of her lonesome heart; and
great was her secret grief at the thought that he might not love her.
Then she acted with him after the manner of the woman resolved to win.
Whenever she saw him rejoice she became sad. Whenever he spoke to her,
she remained silent. Many things Sigurd knew--so wise he was that he
could see even the events of the future; but she saw nothing and knew
nothing thereafter except Sigurd, nor did she wish to see or to know
anything else. And when he showed himself wise, she acted as a foolish
child. And when he tried to be kind to her she answered him with a
strange and harsh voice, and suddenly became without pity. And at last
when he began to long for love, and she perceived it, then her heart
became cold as a sword. So was the soul of this woman in the time of
her passion--now like ravening fire, now again desolate with all the
sorrows that corrode and destroy."
Because she sees still that love is not for her, the whole scene of
the courting--this is one of the cases where the maiden woos the man
without ever losing her dignity as a maiden--is of consummate skill,
showing Gudrun at one moment simple and sweet as a child, revealing
suddenly, at another time, the strange height and depth of her, many
things terrible in her, capable of the making or the ruin of a kingdom.
I am not going to quote, but I hope that you will notice particularly
the fine scene of the death of Brynhild. There is a grand thought in
it. I did not tell you, in the brief epitome of the plot which I gave
you, about the second wooing of Brynhild. When Sigurd wooed her for
King Gunnar, he lay down beside her at night; but he placed his naked
sword between them. This episode is famous in Western literature. So
he brought her chaste to her bridegroom. And when afterwards Brynhild
kills herself, in order that she may be able to join him in the spirit
world, she shows her admiration of Sigurd's action by saying, "When you
put my dead body on the funeral pyre beside the dead body of Sigurd,
put his naked sword again between us, as it was put between us when he
wooed me long ago, for the sake of King Gunnar." The suicide chapter
is very grand. And the ending of the long tragedy has also a peculiar
grandeur, when Gudrun leaps into the sea.
The sea-waves o'er her swept;
And their will is her will henceforward; and who knoweth
the deeps of the sea
And the wealth of the bed of Gudrun, and the days that
yet shall be?
Public-domain text, read in full here on John Shaqi.
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