English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
I think that it will be better to take some of his simpler poems first,
for study; indeed the longer ones are very difficult and would require
much explanation as well as paraphrasing. The shorter ones will better
serve the first purpose of showing you how different this man's poetry
is from that of any other English poet of the time. The first example
will be from "Ballads and Poems of Tragic Life." I need not explain
to you the meaning of the word "Tragic." But the tragedies in which
Meredith is interested are never tragedies of mere physical pain. There
may be some killing in them, but the shedding of blood does not mean
the tragedy. "King Harald's Trance" is a good illustration of this.
Harald--a name common in Scandinavian history--we may suppose to be a
Norwegian Viking. The Vikings of old Norway were the most terrible men
that ever lived, but they were also among the grandest and noblest.
Their trade was war, their religion was war, their idea of happiness
after death was still war--eternal war in heaven, ghostly fighting
on the side of the gods. Such an idea of life requires many great
qualities as well as natural fearlessness and great physical strength.
These men had to learn from childhood not only how to fight, but how
to control their passions, for in fighting, you know that the man who
first gets angry is almost certain to get beaten. The Norse character
was above all things a character of great self-mastery, and the finer
qualities of it are those which have also made the finer qualities of
both the German and the English speaking races of the modern world.
It occurred to the poet Meredith to study such a character among its
ancient surroundings, and among the most trying possible circumstances.
What could break down such mighty strength? What could conquer such
iron hearts? We are going to see.
I
Sword in length a reaping-hook amain
Harald sheared his field, blood up to shank;
'Mid the swathes of slain
First at moonrise drank.
II
Thereof hunger, as for meats the knife,
Pricked his ribs, in one sharp spur to reach
Home and his young wife,
By the sea-ford beach.
III
After battle keen to feed was he:
Smoking flesh the thresher washed down fast,
Like an angry sea
Ships from keel to mast.
IV
Name us glory, singer, name us pride
Matching Harald's in his deeds of strength;
Chiefs, wife, sword by side,
Foemen stretched their length!
V
Half a winter night the toasts hurrahed,
Crowned him, clothed him, trumpeted him high,
Till a wink he bade
Wife to chamber fly.
Public-domain text, read in full here on John Shaqi.
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