English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
The sun rose, sending his gold light dancing over the waves from
the East. And still the men stood there in silent fear. Harald said
nothing, did not move; but he looked at each man with a glassy stare,
with the look of one who does not find what he is waiting for.
Then suddenly, like a great oak tree, too large to be cut with the ax
and therefore possible only to split by the use of fire, the giant
seemed to make a sudden effort, he moved, he staggered, he fell dead at
their feet.
What is the deeper meaning of this terrible poem, founded upon an
historical fact? Simply that moral pain is much more powerful than
physical pain--that it is capable of breaking down any strength. Harald
could not be killed in battle under ordinary circumstances; fighting
could not even tire him, it only made him hungry and thirsty. No
physical excess could injure that body of iron. His vast eating and
drinking only gave him a heavy sleep. But when he was wounded in his
affections, by the treachery of the only being whom he could love and
trust, then his heart burst. He dies in the poem magnificently, even
like a moral hero, containing himself perfectly until death takes him
away. But the teaching of the story is very awful as well as very true.
The remarkable thing to notice about this poetry is its compression,
a compression that only seems to make the colour more vivid and the
emotion more forceful. In order to paraphrase it intelligibly one must
use two or three times as many words as the poet uses. Browning has
the same strange power, and in many ways Meredith strongly resembles
Browning. But he is much more philosophical, as we see later on.
Public-domain text, read in full here on John Shaqi.
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